"String Quartet No. 1 in D Minor: II. Andante mesto (Et in Arcadia ego)" by Rudolf Tobias, Tallinn Quartet had its release date on October 31, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Tobias: String Quartets Nos. 1 & 2". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. String Quartet No. 1 in D Minor: II. Andante mesto (Et in Arcadia ego) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 1 in D Minor: II. Andante mesto (Et in Arcadia ego) by Rudolf Tobias, Tallinn Quartet having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Jahreszeiten, Hob. XXI:3, Der Frühling: Vb. Freudenlied: O wie lieblich ist der Anblick (Terzett und Chor) | Joseph Haydn, Lina Johnson, Tilman Lichdi, Matthias Winckhler, Gottfried van Swieten, Jordi Savall, Le Concert Des Nations | C Major | 3 | 8B | 105 BPM | ||
| Elias, Op. 70, MWV A25, Part II: No. 38, Chorus "Und der Prophet Elias brach hervor wie ein Feuer" | Felix Mendelssohn, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées | D Major | 3 | 10B | 109 BPM | ||
| 12 Choralvorspiele: No. 8, Sollt' ich meinem Gott nicht singen II | Rudolf Tobias, Ines Maidre | D Minor | 2 | 7A | 86 BPM | ||
| Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | ||
| Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | B♭ Major | 3 | 6B | 68 BPM | ||
| Stabat Mater: Stabat Mater: VI. Vidit suum dulcem natum | Francis Poulenc, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss, Carolyn Sampson | B Minor | 1 | 10A | 87 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act II: Thanks to These Lonesome Vales | Henry Purcell, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby | F♯ Major | 1 | 2B | 77 BPM | ||
| Beethoven: Missa solemnis in D Major, Op. 123: X. Agnus Dei | Ludwig van Beethoven, Herbert von Karajan, Agnes Baltsa, Gundula Janowitz, José van Dam, Peter Schreier, Wiener Singverein, Berliner Philharmoniker | B♭ Minor | 1 | 3A | 82 BPM | ||
| Atys, LWV 53, Prologue: Duo et chœur. Les plaisirs à ses yeux ont beau se présenter | Jean-Baptiste Lully, Virginie Thomas, Les Pages et les Chantres du Centre de Musique Baroque de Versailles, David Witczak, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | B♭ Minor | 1 | 3A | 82 BPM | ||
| Hodie Christus natus est, SWV 456 | Heinrich Schütz, Il Pomo D'oro, Giuseppe Maletto | F Major | 1 | 7B | 114 BPM | ||
| Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Credo - Allegro - Adagio - Allegro | American Bach Soloists | B♭ Major | 1 | 6B | 63 BPM | ||
| Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Kyrie - Adagio | American Bach Soloists | B♭ Major | 1 | 6B | 104 BPM | ||
| Joonas, Scene 1: Kuhu ma lähen Su vaimu eest? (Chorus, Tenor) | Rudolf Tobias, Estonian Philharmonic Chamber Choir, Mati Turi, Tallinn Chamber Orchestra, Tõnu Kaljuste | A Major | 1 | 11B | 92 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Das Lied von der Erde: II. Der Einsame im Herbst. Etwas schleichend. Ermüdet | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | B♭ Minor | 1 | 3A | 82 BPM | ||
| Des Jona Sendung (Jonah's Mission): Herr Gott. Des die Rache, die Rache ist [Psalm of Vengeance] [Altos and Children's Chorus] | Rudolf Tobias, Pille Lill, Urve Tauts, Peter Svensson, Mati Palm, Ines Maidre, Oratorio Choir, Tallinn Boys Choir, Estonian Philharmonic Chamber Choir, Estonian State Symphony Orchestra, Neeme Järvi | F♯ Minor | 0 | 11A | 87 BPM | ||
| Requiem aeternam | Joseph Martin Kraus, Noémi Kiss, Judit Nemeth, Istvan Kovacs, Pal Benko, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 166 BPM | ||
| Des Jona Sendung (Jonah's Mission): So spricht der Herr [Tenor and Chorus] | Rudolf Tobias, Pille Lill, Urve Tauts, Peter Svensson, Mati Palm, Ines Maidre, Oratorio Choir, Tallinn Boys Choir, Estonian Philharmonic Chamber Choir, Estonian State Symphony Orchestra, Neeme Järvi | A Major | 1 | 11B | 113 BPM | ||
| Miserere mei Deus, C. 116: I. Miserere mei Deus | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | D♭ Major | 1 | 3B | 71 BPM | ||
| Die Jahreszeiten, Hob. XXI:3, Der Frühling: IIIb. Arie: Schon eilet froh der Akkermann (Simon) | Joseph Haydn, Gottfried van Swieten, Jordi Savall, Matthias Winckhler, Le Concert Des Nations | C Major | 1 | 8B | 170 BPM | ||
| Mass No. 2 in G Major, D. 167: I. Kyrie | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
| Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
| Requiem, Op. 9: VI. Agnus Dei | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | G Minor | 1 | 6A | 75 BPM | ||
| Grande Messe des Morts: IX. Sequentia: Mors stupebit - Allegro | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Major | 2 | 9B | 89 BPM | ||
| Mozart: Così fan tutte, K. 588, Act 1: Quintetto. "Muoio d'affanno!" - Recitativo. "Di scrivermi ogni giorno" (Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra, Charlotte Margiono, Delores Ziegler, Deon Van Der Walt, Gilles Cachemaille, Thomas Hampson | B♭ Major | 1 | 6B | 170 BPM |