"Nirjan Raate Nihshabda Charonpate" by Chinmoy Chatterjee had its release date on December 1, 1968. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Nirjan Raate Nihshabda Charonpate's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Rare Gems Tagore". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Based on our statistics, Nirjan Raate Nihshabda Charonpate's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nirjan Raate Nihshabda Charonpate by Chinmoy Chatterjee having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maa Achen Aar Ami Achhi | Mahesh Ranjan Shome | G Major | 5 | 9B | 88 BPM | ||
| Aakash Bhara Surjo Tara | Prasun Mukherjee | C Major | 4 | 8B | 148 BPM | ||
| Hridayer Byatha Biraher Katha | Bhupen Hazarika | E Major | 4 | 12B | 122 BPM | ||
| Boli Go Sajani Jeo Na | Chinmoy Chatterjee | E♭ Minor | 1 | 2A | 123 BPM | ||
| Je Chhilo Amar Swapancharini - Kabir Suman | Kabir Suman | C Major | 3 | 8B | 172 BPM | ||
| Aguner Poroshmoni | Rezwana Chowdhuri Bonna, Sadi Mohammad | B♭ Major | 7 | 6B | 128 BPM | ||
| Amar Moner Koner | Subhamita | B♭ Major | 4 | 6B | 144 BPM | ||
| Ami Sohite Pari Na Bala | S. D. Burman | D♭ Minor | 3 | 12A | 105 BPM | ||
| Tor Puja Tui | Anup Jalota | D♭ Major | 4 | 3B | 149 BPM | ||
| Amar Moner Koner Baire | Srabani Sen | A♭ Major | 5 | 4B | 104 BPM | ||
| Tomader Ashirbade | Mohd. Rafi | A♭ Major | 7 | 4B | 142 BPM | ||
| Pashaner Bhangaley Ghoom | Mohammed Rafi | A♭ Major | 4 | 4B | 138 BPM | ||
| Tomar Oi Ashontole | Mahesh Ranjan Shome | D Major | 5 | 10B | 133 BPM | ||
| Shudhu Jaoya Aasa Shudhu Srote Bhasa - Kabir Suman | Kabir Suman | C Major | 3 | 8B | 78 BPM | ||
| Maago Shomoy To Thakbe | Anuradha Paudwal | B Major | 4 | 1B | 129 BPM | ||
| Mano Chalo Nija Niketane | Ramakrishna Math, Swami Sarvagananda | C Minor | 3 | 5A | 115 BPM | ||
| Keno Tumi badle Gechho | Akhil Bandhu Ghosh | G Minor | 5 | 6A | 124 BPM | ||
| Kajal Nadir Jale | Tarun Banerjee | C Minor | 4 | 5A | 86 BPM | ||
| Anukul Tripurari | Sankar Prasad Shome | E Minor | 4 | 9A | 143 BPM | ||
| Tomar Dekha Pabo | Gostho Gopal Das | E Major | 6 | 12B | 104 BPM | ||
| Antare Maa Thakna | Anuradha Paudwal, Indrajeet | F Minor | 4 | 4A | 152 BPM | ||
| Jiboner Golpo | Abdul Hadi, Monir Khan, Abida Sultana | E♭ Major | 5 | 5B | 192 BPM | ||
| Emon Anek Kathai Bol Tumi | Satinath Mukherjee | E♭ Major | 3 | 5B | 101 BPM | ||
| Tomar Mato Amio To | Pannalal Bhattacharya | D♭ Minor | 1 | 12A | 124 BPM | ||
| Sunya E Buke Pakhi Mor | Anup Ghoshal | A♭ Major | 3 | 4B | 142 BPM |