Ralph Shapey, Robert Black's 'Fromm Variations (31 Variations For Piano): Variation VIII' had a release date set for January 1, 2007. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Fromm Variations (31 Variations For Piano): Variation VIII's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Ralph Shapey: Radical Traditionalism". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Fromm Variations (31 Variations For Piano): Variation VIII is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Fromm Variations (31 Variations For Piano): Variation VIII by Ralph Shapey, Robert Black having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seven Set Pieces: VI. Allegro con fuoco "Jam Session" | Francis Thorne, Contemporary Chamber Players Of The University Of Chicago, Ralph Shapey | D Minor | 7 | 7A | 128 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone | Karol Szymanowski, Belcea Quartet | F♯ Minor | 1 | 11A | 83 BPM | ||
| 12 Nocturnes: No. 3, Nächtlicher Fluss | Bent Sørensen, Katrine Gislinge | D♭ Major | 1 | 3B | 94 BPM | ||
| Lunar Circle | Luna Mystic | E Minor | 4 | 9A | 102 BPM | ||
| Riessler: Bachmachine | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Catalogue d'oiseaux: II. Le loriot | Olivier Messiaen, Ciro Longobardi | B Major | 1 | 1B | 135 BPM | ||
| Janacek: The Diary of One Who Disappeared, JW V/12: No. 13, Andante "Intermezzo erotico" | Leoš Janáček, Ian Bostridge/Ruby Philogene/Thomas Adès | E Major | 0 | 12B | 170 BPM | ||
| Seven Nuggets: I. Fire Opal | Peter Scott Lewis, Blair McMillen | G Minor | 1 | 6A | 75 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | D♭ Major | 1 | 3B | 94 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | D♭ Major | 1 | 3B | 94 BPM | ||
| Turangalîla-Symphonie: VII. Turangalîla 2 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Three Piano Pieces, Op. 11: Massig | Arnold Schoenberg, Paul Jacobs | A Major | 0 | 11B | 144 BPM | ||
| Lyric Suite: II. Andante amoroso | Alban Berg, Leonkoro Quartet | D♭ Major | 1 | 3B | 94 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Clear Mind | Rylandiaa | E Major | 1 | 12B | 100 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: II. Adagio | Dmitri Shostakovich, Cuarteto Casals | D♭ Major | 1 | 3B | 94 BPM | ||
| The Dreams and Prayers of Isaac the Blind: Prelude: Calmo, Sospeso | Osvaldo Golijov, Kronos Quartet | F♯ Minor | 0 | 11A | 88 BPM | ||
| Prelude and Fugue: I. Prelude | Alfred Schnittke, Nicolas Stavy | F♯ Minor | 0 | 11A | 117 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM | ||
| Five Movements for String Quartet, Op. 5: II. Sehr langsam | Anton Webern, Leonkoro Quartet | D♭ Major | 1 | 3B | 94 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 1a, Prelude in C Major | Dmitri Shostakovich, Sofia Sacco | C Major | 0 | 8B | 86 BPM | ||
| Riessler: Family Affair | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Gentle Waves | Rylandiaa | F Minor | 5 | 4A | 104 BPM | ||
| The Rite of Spring, K015 (Version for 2 Pianos), Pt. 1: VI. Procession of the Sage | Igor Stravinsky, Leif Ove Andsnes, Marc-André Hamelin | A♭ Minor | 1 | 1A | 92 BPM |