Royal Philharmonic Orchestra's ' "INTRODUCTION TO "ALSO SPRACH ZARATHUSTRA"" was released on its scheduled release date, February 15, 1994. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 58 in CLASSICAL MUSIC FOR PEOPLE WHO HATE CLASSICAL MUSIC 4-CD SET by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, INTRODUCTION TO "ALSO SPRACH ZARATHUSTRA"'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of INTRODUCTION TO "ALSO SPRACH ZARATHUSTRA" by Royal Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Diamonds Are Forever - From "Diamonds Are Forever" | Royal Philharmonic Orchestra | F Minor | 1 | 4A | 140 BPM | ||
| Requiem: Pie Jesu | Andrew Lloyd Webber, Julian Lloyd Webber, Royal Philharmonic Orchestra, Barry Wordsworth | E Major | 1 | 12B | 57 BPM | ||
| Våren - Last Spring | Edvard Grieg, Royal Philharmonic Orchestra | G Major | 0 | 9B | 82 BPM | ||
| Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | ||
| Rachmaninoff: Rhapsody On A Theme Of Paganini | John Barry, John Debney, Royal Scottish National Orchestra | D♭ Major | 1 | 3B | 128 BPM | ||
| Remember Me - From "Coco" (Feat. Miloš Karadaglić) | Lang Lang, Miloš Karadaglić, Royal Philharmonic Orchestra, Robert Ziegler | C Major | 1 | 8B | 166 BPM | ||
| Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) | Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | G Major | 1 | 9B | 69 BPM | ||
| M6 I Puntata Tema the Garden of Innocence | Pino Donaggio | F♯ Major | 1 | 2B | 114 BPM | ||
| Chorale: Elegia | Karl Jenkins, Peter Pejtsik, Adiemus Symphony Orchestra Of Europe | G Major | 3 | 9B | 130 BPM | ||
| A Heart Full of Love / The Waltz of Treachery / On My Own | Bournemouth Symphony Orchestra, Seann Alderking | D Minor | 1 | 7A | 86 BPM | ||
| Flocks a Mile Wide | Christopher Tin, Royal Philharmonic Orchestra | G Major | 1 | 9B | 71 BPM | ||
| The Bare Necessities - From "The Jungle Book" | Royal Philharmonic Orchestra | C Major | 3 | 8B | 103 BPM | ||
| Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM | ||
| By the Sleepy Lagoon (Desert Island Discs Theme) | Eric Francis Harrison Coates, Royal Philharmonic Orchestra, Carl Davis | C Major | 2 | 8B | 114 BPM | ||
| Bridge Over Troubled Water - with The Royal Philharmonic Orchestra | Elvis Presley, Royal Philharmonic Orchestra | C Major | 5 | 8B | 84 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| Jesu, Joy of Man's Desiring - Instrumental | Johann Sebastian Bach, Philadelphia Orchestra, Eugene Ormandy | G Major | 2 | 9B | 70 BPM | ||
| Pachelbel Canon | Royal Philharmonic Orchestra | E♭ Major | 3 | 5B | 80 BPM | ||
| Fantasia on Greensleeves | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 89 BPM | ||
| Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
| The Tales of Hoffmann: Barcarolle | Jacques Offenbach, Harry Rabinowitz | F Minor | 1 | 4A | 116 BPM | ||
| Vuelve A Jerez (with The Royal Philharmonic Orchestra) | Luis Cobos, Royal Philharmonic Orchestra | C Major | 2 | 8B | 98 BPM | ||
| Happy Together - Orchestral Version | Garry Owen Bonner, Alan Lee Gordon, Royal Philharmonic Orchestra | F♯ Minor | 2 | 11A | 67 BPM | ||
| Adagio of Spartacus and Phrygia (Transcr. E. Khachaturian for Solo Piano) - Excerpt | Aram Khachaturian, Jean-Yves Thibaudet | F Minor | 0 | 4A | 67 BPM | ||
| Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM |