"Flocks a Mile Wide" by Christopher Tin, Royal Philharmonic Orchestra had its release date on September 30, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "The Lost Birds". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Flocks a Mile Wide is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flocks a Mile Wide by Christopher Tin, Royal Philharmonic Orchestra having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Montgomery Variations: IV. Dawn in Dixie | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 168 BPM | ||
| Over the Mountains High (Arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | D Minor | 1 | 7A | 100 BPM | ||
| The Yellow Cake Review: I. Farewell to Stromness - Arr. for Violin & Orchestra by Rosemary Furniss | Orchestra of the Swan, David le Page | D Major | 1 | 10B | 77 BPM | ||
| 5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 4, Forlana. Allegretto grazioso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F♯ Major | 1 | 2B | 96 BPM | ||
| Harp Concerto in A major: 2. Larghetto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 80 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Last Spring (Arr. for Violin and Orchestra from Op. 33 No. 2 by Ben Palmer) | Edvard Grieg, Eldbjørg Hemsing, Arctic Philharmonic | E Major | 1 | 12B | 78 BPM | ||
| Nimrod (From the Enigma Variations) | Edward Elgar | E♭ Major | 3 | 5B | 103 BPM | ||
| Suite Of Cotswold Folk Dances (1978): Constant Billy | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | D Major | 1 | 10B | 97 BPM | ||
| Song without Words, Op. 109 | Felix Mendelssohn, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 122 BPM | ||
| The Hope for Love | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| Two Pieces For Small Orchestra From The Film Music "Henry V": 2. Touch Her Soft Lips And Part | William Walton, English Chamber Orchestra, Daniel Barenboim | C Major | 0 | 8B | 167 BPM | ||
| Jocelyn Suite, Op. 100: II. Berceuse | Benjamin Godard, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 128 BPM | ||
| Shackleton's Cross | Howard Goodall | D♭ Major | 0 | 3B | 122 BPM | ||
| Suite bergamasque, L. 75: III. Clair de lune (Arr. for Orchestra by John Rutter) | Claude Debussy, John Rutter, Manchester Camerata | D♭ Major | 1 | 3B | 72 BPM | ||
| The beyondness of things | John Barry, English Chamber Orchestra | F Minor | 3 | 4A | 101 BPM | ||
| Lux Aeterna | Christopher Tin | E♭ Major | 0 | 5B | 88 BPM | ||
| A New Era | John Lunn, The Chamber Orchestra Of London | C Major | 2 | 8B | 64 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
| The Renaissance Suite: III. BARRIERA in Gossamer Yellow | Julie Cooper, Eliza Marshall, Camilla Pay, Oculus Ensemble, Jessica Cottis | E Minor | 2 | 9A | 128 BPM | ||
| Caoineadh | Christopher Tin, Anonymous 4 | G Minor | 1 | 6A | 79 BPM | ||
| Three American Sketches: II. Old Boston | George Martin, Berlin Music Ensemble, Craig Leon | B Minor | 1 | 10A | 91 BPM | ||
| Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | ||
| Ma mère l'oye, M. 62: Apothéose. Le jardin féerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 62 BPM | ||
| Thaïs: Méditation (Arr. Knoth) | Jules Massenet, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | D Major | 1 | 10B | 116 BPM |