Ankit Pathak, Pratibha Raj's ' "Kamar Daimej Ba" was released on its scheduled release date, April 11, 2025. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Kamar Daimej Ba and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Kamar Daimej Ba's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kamar Daimej Ba by Ankit Pathak, Pratibha Raj to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dwar Khada Hun Maa Tere | Ankit Pathak | A Major | 10 | 11B | 130 BPM | ||
| Mor Chadi Lahrrai Re | Tarun Toofani | G Major | 8 | 9B | 150 BPM | ||
| Krishna Radha Bhajan - O Barsane Wali Gulam | Dc Madan | D♭ Major | 8 | 3B | 108 BPM | ||
| Mera Koi Na Sahara Bin Tere Ghanshyam | Puran Shiva | D Major | 6 | 10B | 80 BPM | ||
| Barsana Mila Hai | Devi Neha Saraswat, G Paul Films | D♭ Major | 8 | 3B | 120 BPM | ||
| Jo Prem Gali Me Aaye | Prakash Gandhi | D♭ Minor | 8 | 12A | 75 BPM | ||
| Itni Kripa Sanware Banae Rakhna | Rakesh Kala | F Minor | 7 | 4A | 80 BPM | ||
| Saj Gai Ayodhya | Shubham Kumar, Ankit Pathak | B♭ Major | 5 | 6B | 115 BPM | ||
| Charan Me Rakhna Sharan Me Rakhna | Sudhir Vyas | F♯ Minor | 7 | 11A | 115 BPM | ||
| Khatu Shyam Chalisa | Manoj Mishra | C Minor | 7 | 5A | 96 BPM | ||
| Hari Naam Nahi to Jina Kya | Devendra Pathak | A♭ Minor | 7 | 1A | 96 BPM | ||
| Vrindavan Me Hukum Chale Barsane Wali Ka | Rajesh Chandra | D♭ Major | 4 | 3B | 106 BPM | ||
| Sanwariya Ke Aage Khado Me Kar Jod | Gokul Sharma | F Minor | 8 | 4A | 80 BPM | ||
| Sharan Teri Sukh Paya | Sudhir Vyas | E♭ Minor | 5 | 2A | 95 BPM | ||
| Marno Ho To Main Marun Shri Radhe Ke Dwar | Gaurav Krishna Goswami | A Major | 9 | 11B | 150 BPM | ||
| Teri Mand Mand Mushakniya Pe Balihar Raghav | Prakash Gandhi | D♭ Minor | 8 | 12A | 138 BPM | ||
| Ram Ko Dekhkar Ke Janak Nandini | Mishra Bandhu | C Minor | 8 | 5A | 91 BPM | ||
| Seth Ji Ro Seth | Shubham Rupam | B♭ Major | 7 | 6B | 118 BPM | ||
| Ant Samay Mein Shyam | Pramod Tripathi | D♭ Minor | 6 | 12A | 84 BPM | ||
| Nainan Me Shyam Samaye Gayo | Manoj Sharma Gwalior | A Major | 8 | 11B | 136 BPM | ||
| Anjani Ka Lala | Mayank Agarwal | A♭ Minor | 8 | 1A | 97 BPM | ||
| Fagun Ka Nazara | Raj Pareek | E♭ Major | 5 | 5B | 178 BPM | ||
| Ram Ji Se Ram Ram Kahiyo Hanuman Ji | Meenakshi Mukesh | B Major | 9 | 1B | 128 BPM | ||
| Jab Girte Hue Maine Tera Naam Liya Hai | Gaurav Krishna Goswami | E Minor | 9 | 9A | 150 BPM | ||
| Itni Kripa Sanware Banaye Rakhna | Ritesh Manocha, Sanjay Pareek, Sardar Romi Ji | B♭ Minor | 4 | 3A | 78 BPM |