Hector Berlioz, George Szell, The Cleveland Orchestra's 'Roman Carnival Overture, Op. 9 (Remastered)' had a release date set for June 29, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Szell, Cleveland Orchestra's "George Szell Conducts Merry Overtures" album is number 6 out of 7. On top of that, United States appears to be the country where this track was created. Roman Carnival Overture, Op. 9 (Remastered) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Roman Carnival Overture, Op. 9 (Remastered) by Hector Berlioz, George Szell, The Cleveland Orchestra to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ein Heldenleben, Op. 40, TrV 190: Der Held | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 112 BPM | ||
| Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 130 BPM | ||
| Don Quixote, Op. 35: XIV. Finale. The Death of Don Quixote. Sehr ruhig | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 136 BPM | ||
| Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
| Symphony No. 7 in E Minor: III. Scherzo. Schattenhaft – Trio | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle | G Minor | 0 | 6A | 91 BPM | ||
| Berlioz: Te Deum, Op. 22, H 118: VI. Judex crederis - Hymne et prière | Hector Berlioz, John Nelson, Choeur d'enfants de L'Union Européenne, Choeur de l'Orchestre de Paris, Marie-Claire Alain, Maîtrise d'Antony, Orchestre de Paris | B♭ Major | 1 | 6B | 92 BPM | ||
| L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
| Lélio ou le retour à la vie, Op. 14b: 5. La harpe éolienne - Souvenirs | Hector Berlioz, Renata Scheffel-Stein, Roy Jowitt, London Symphony Orchestra, Sir Colin Davis | F Major | 1 | 7B | 65 BPM | ||
| Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 91 BPM | ||
| Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
| The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 0 | 7B | 92 BPM | ||
| Prince Igor (Knyaz Igor), Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
| Benvenuto Cellini, Op. 23, H. 76, Acte II, Quatrième Tableau: Nos. 29-30 - "Couvrez-moi Ce Drôle … A l'atelier!" | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Gregory Kunde, London Symphony Chorus, Isabelle Cals, Laura Claycomb, Peter Coleman-Wright, Andrew Kennedy | D♭ Major | 1 | 3B | 136 BPM | ||
| Berlioz & Rouget de l'Isle: Hymne des Marseillais, H. 51a "La Marseillaise" | Claude Joseph Rouget de Lisle, Hector Berlioz, Michel Plasson, Choeur Du Capitole De Toulouse, Francois Le Roux, Françoise Pollet, Marcel Vanaud, Olivier Picard, Tibère Raffalli, Orchestre Du Capitole De Toulouse | B♭ Major | 4 | 6B | 79 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: II. Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
| The Rite of Spring, K15, Pt. 1: II. The Augurs of Spring | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | C Major | 7 | 8B | 91 BPM | ||
| Symphony No. 7 in C Major, Op. 105: Adagio | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | C Major | 0 | 8B | 78 BPM | ||
| Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
| Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | C Major | 4 | 8B | 91 BPM | ||
| Prelude in C Sharp Minor, Op. 3, No. 2 (Arr. Orchestra) - Live | Sergei Rachmaninoff, Czech Philharmonic, Leopold Stokowski | E♭ Major | 4 | 5B | 124 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: IV. Allegretto | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | C Minor | 0 | 5A | 121 BPM | ||
| Symphony No. 2, Op. 9, "Antar": I. Largo - Allegro - Largo - Allegretto - Adagio - Allegretto - Largo | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | F♯ Major | 0 | 2B | 71 BPM | ||
| Symphonie fantastique, H. 48: IV. Marche au supplice | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM |