On October 30, 2000, the song "Hanske Sahte Rahe" was released by Bijli Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bijli Rani's "Khoone Dil Ki Mehandi" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Hanske Sahte Rahe's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hanske Sahte Rahe by Bijli Rani to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Khuda Aye Pak Ki Rehmat Kahar Hai Beti | Tahir Chishti | F Major | 9 | 7B | 102 BPM | ||
| Piya Pardesiya | Devinder Kohinoor | D Major | 5 | 10B | 119 BPM | ||
| Nitti Nitti Konna Tumi | Polash, Momtaz | D♭ Major | 8 | 3B | 112 BPM | ||
| Gunvant Vani | Savidhan Manohare | G Major | 8 | 9B | 165 BPM | ||
| Hum Kaise Bhulaai | Bijli Rani | A♭ Major | 9 | 4B | 116 BPM | ||
| Lelo Ri Lelo Maiya | Reema Noopur | A Major | 5 | 11B | 156 BPM | ||
| Radha Ras Gaane Ko | Premanand Maharaj Ji, Sonu Yadav | E Minor | 4 | 9A | 136 BPM | ||
| Teri Sari Musibat Tal Jayegi | Satyen | C Major | 7 | 8B | 174 BPM | ||
| Pappu Kaay Ke Lane Jag Rayo Bundeli Hasya Lokgeet | JaiSingh Raja, Veena Pandit | F♯ Major | 8 | 2B | 80 BPM | ||
| Hajma Dheere Dheere Katiyhe Bhuya K Kesh | Poonam Mishra | D Major | 7 | 10B | 167 BPM | ||
| Ram Ji Mil Jave | Prakash Mali | F Minor | 8 | 4A | 91 BPM | ||
| Mahima Gaau Thari Baba Ramdevji Bhajan | Moinudin Manchala | F♯ Major | 5 | 2B | 77 BPM | ||
| Tohra Pe Waari Sanwriya Ae Raghubar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Jin Din Janamiya Hansa | Prakash Mali | E♭ Minor | 8 | 2A | 84 BPM | ||
| Ab Utho Bhavani Maihar Wali | Yuvraj Pandey | F Minor | 8 | 4A | 172 BPM | ||
| Arara Sarara Pi Gayo Dahi | Rajesh Goswami | F♯ Major | 9 | 2B | 120 BPM | ||
| Tu Tya Kathavar Mi Ya Kathavar | Yuvraj Pradhan | A♭ Major | 8 | 4B | 80 BPM | ||
| Sui Ganthwaai Le Phulesari Peeche Se | Byas Naresh Kumar Yadav, Bijli Rani, Kiran Rani | C Major | 5 | 8B | 80 BPM | ||
| Ae Nirmohi Balam Apan Ticket Ferwaw | Prem Kumar, Tripti Shakya, Bijli Rani | F♯ Major | 7 | 2B | 75 BPM | ||
| Delhi Mumbai Kolkata Ghumaibau | Nitish Sharma | A♭ Major | 9 | 4B | 170 BPM | ||
| Pinky Maan Ja | Jittu Khare, Akash Nindane | A♭ Major | 8 | 4B | 136 BPM | ||
| O Din Surta | Gorelal Barman, Ratan Sabiha | E♭ Major | 6 | 5B | 200 BPM | ||
| kaise moy rahbu me jayeke sasurwa | Majbul Khan, Chinta Devi, Sarita Devi | D♭ Major | 9 | 3B | 105 BPM | ||
| Ladike Hiya Badi Chooji Re | Naresh Kumar Yadav, Bijli Rani | B♭ Major | 7 | 6B | 110 BPM | ||
| Danteshwari Dai | Dukalu Yadav | B♭ Minor | 9 | 3A | 82 BPM |