"Fragments from a Woman's Diary: X. Children at Play" by Ruth Schönthal, Gary Steigerwalt had its release date on January 1, 2003. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 45 in the song's album "Schonthal, R.: Piano Music". In this album, this song's track order is #36. Furthermore, we believe that the track originated from United States. Fragments from a Woman's Diary: X. Children at Play is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fragments from a Woman's Diary: X. Children at Play by Ruth Schönthal, Gary Steigerwalt having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Songs of Love: IV. Then Time Stopped (Version for Saxophone Quartet) | Pēteris Vasks, Signum Saxophone Quartet | F♯ Minor | 0 | 11A | 77 BPM | ||
| Martinů: Film en miniature: No. 3, Berceuse | Bohuslav Martinů, Bertrand Chamayou | A♭ Major | 0 | 4B | 175 BPM | ||
| String Quartet No.1, Sz.40: I. Lento | Béla Bartók, Belcea Quartet | A♭ Major | 0 | 4B | 86 BPM | ||
| Shostakovich: String Quartet No. 10 in A-Flat Major, Op. 118: III. Adagio | Dmitri Shostakovich, Brodsky Quartet | A Major | 1 | 11B | 78 BPM | ||
| Nachklange: IX. Abgesang (Departing Song) | Ruth Schönthal, Gary Steigerwalt | D Major | 0 | 10B | 112 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: I. Allegretto | Dmitri Shostakovich, Cuarteto Casals | D♭ Major | 2 | 3B | 180 BPM | ||
| Summer Music, Op. 31: III. Faster | Samuel Barber, Ensemble Ouranos | D♭ Major | 2 | 3B | 180 BPM | ||
| Drei Hymnen von Walt Whitman, Op. 14: No. 1, Der ich, in Zwischenräumen, in Äonen und Äonen wiederkehre | Paul Hindemith, Florian Störtz, Aleksandra Myslek | D♭ Major | 2 | 3B | 180 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | D♭ Major | 2 | 3B | 180 BPM | ||
| 12 Nocturnes: No. 5, In den Morgen tanzen | Bent Sørensen, Katrine Gislinge | D♭ Major | 2 | 3B | 180 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
| Drei Liebeslieder: Die Stimme deines Lebens | Ruth Schönthal, Margaret Astrup, Joan Forsythe | D Major | 1 | 10B | 70 BPM | ||
| 12 Nocturnes: No. 4, Barcarola | Bent Sørensen, Katrine Gislinge | D♭ Major | 2 | 3B | 180 BPM | ||
| Five Movements for String Quartet, Op. 5: I. Heftig bewegt | Anton Webern, Leonkoro Quartet | D♭ Major | 2 | 3B | 180 BPM | ||
| Lyric Suite: II. Andante amoroso | Alban Berg, Leonkoro Quartet | D♭ Major | 2 | 3B | 180 BPM | ||
| Roussel: String Trio, Op. 58: II. Adagio | Albert Roussel, Trio à cordes de Paris | D♭ Major | 2 | 3B | 180 BPM | ||
| String Quartet No. 15 in E-Flat Minor, Op. 144: I. Elegy. Adagio | Dmitri Shostakovich, Cuarteto Casals | D♭ Major | 2 | 3B | 180 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | D♭ Major | 2 | 3B | 180 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | D♭ Major | 2 | 3B | 180 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | ||
| Sonata for violin and piano: I. Con moto | Leoš Janáček, Julija Hartig, Reineke Broekhans | D♭ Major | 2 | 3B | 180 BPM | ||
| Violin Concerto: IIa. Fugue, Pt. 3 (Live) | Maya Badian, Romanian National Radio Orchestra, Florin Paul, Ludovic Bács | G Major | 4 | 9B | 72 BPM | ||
| Poulenc: Cello Sonata, FP 143: I. Allegro - Tempo di marcia | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F Minor | 0 | 4A | 174 BPM | ||
| Chants sahariens, 5 poèmes touaregs: II La nuit passée | Maurice Jaubert, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude Bouveresse | D♭ Major | 0 | 3B | 82 BPM |