Rudolf Schock's 'Ich bin nur ein armer Wandergesell' had a release date set for January 6, 2006. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 22 in Fernsehwunschkonzert mit by Rudolf Schock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Ich bin nur ein armer Wandergesell is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ich bin nur ein armer Wandergesell by Rudolf Schock is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Heideröslein | Friedel Hensch & Die Cyprys | F Major | 3 | 7B | 123 BPM | ||
| Lucia di Lammermoor / Act 3: Ohimè! Sorge il tremendo fantasma | Gaetano Donizetti, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | B Major | 3 | 1B | 86 BPM | ||
| Guten Abend, gut' Nacht | WDR Rundfunkorchester Köln, Gesangsquartett Four For Four | E♭ Major | 2 | 5B | 66 BPM | ||
| Alle Tage ist kein Sonntag | Carl Clewing, Rudolf Schock, Werner Eisbrenner | C Major | 2 | 8B | 147 BPM | ||
| Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Hier an dem Herzen treu geborgen (Blumenarie: Carmen, Don José) | Georges Bizet, Rudolf Schock, Horst Stein, Berliner Symphoniker | D Minor | 2 | 7A | 123 BPM | ||
| Fatinitza Marsch | Johann Strauss Orchester | G Major | 4 | 9B | 123 BPM | ||
| Das Land des Lächelns / Act 2: Dein ist mein ganzes Herz! | Franz Lehár, Plácido Domingo, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | C Major | 5 | 8B | 137 BPM | ||
| I Bin A Echter Weana | Die Altgrinzinger Schrammeln | G Major | 1 | 9B | 96 BPM | ||
| Granada (Spanische Fantasie) | Rudolf Schock | B Major | 2 | 1B | 60 BPM | ||
| O mia bella Napoli | Rudi Schuricke | G Major | 4 | 9B | 150 BPM | ||
| Bajazzo: Andiam: din, don suona vespero | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | C Major | 2 | 8B | 132 BPM | ||
| Der Vogelhändler: Schenkt man sich Rosen in Tirol | Carl Zeller, Rudolf Schock, Erika Köth, Frank Fox | B♭ Major | 3 | 6B | 84 BPM | ||
| Straus: Ein Walzertraum, Act I: "Mein lieber Freund, Du läßt mich lang allein" | Oscar Straus, Lisa Otto, Manfred Schmidt, Brigitte Mira, Bruno Fritz, Melitta Muszely, Rudolf Schock, Wilhelm Schüchter, Berliner Symphoniker | A♭ Major | 3 | 4B | 66 BPM | ||
| Schenkt man sich Rosen in Tirol (From "Der Vogelhändler) | Carl Zeller, Jonas Kaufmann, Ádám Fischer | B♭ Major | 3 | 6B | 82 BPM | ||
| Die Lorelei: Ich weiss nicht, was soll es bedeuten | Friedrich Silcher, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann | D♭ Major | 0 | 3B | 127 BPM | ||
| Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
| Aquarellen-Walzer, Op. 258 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Karl Albert Geyer | C Major | 2 | 8B | 86 BPM | ||
| O sole mio | Rudolf Schock | B♭ Major | 3 | 6B | 75 BPM | ||
| Mandulinata a mare | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | A Major | 2 | 11B | 89 BPM | ||
| Die Csardasfurstin (the Gypsy Princess) [Sung in Hungarian], Act I: Elojatek | Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás Bródy | C Minor | 4 | 5A | 149 BPM | ||
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
| Pomone, Op. 155 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E♭ Major | 2 | 5B | 183 BPM | ||
| Das Lied von der Erde: III. Von der Jugend. Behaglich, heiter | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | G Major | 4 | 9B | 150 BPM | ||
| Torna a Surriento | Ernesto de Curtis, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan | E Major | 2 | 12B | 91 BPM | ||
| Florentinische Nächte | Rudi Schuricke | A Major | 3 | 11B | 118 BPM |