Giuseppe Verdi, Leslie Fyson/Fiorenza Cossotto/New Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, New Philharmonia Orchestra's ' "Verdi: Macbeth, Act 1: Al cader della sera il Re qui giunge (Servo/Lady Macbeth)" was released on its scheduled release date, 1976. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Macbeth by Giuseppe Verdi, Sherrill Milnes, Riccardo Muti. The song's track number on the album is #9 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Verdi: Macbeth, Act 1: Al cader della sera il Re qui giunge (Servo/Lady Macbeth)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Verdi: Macbeth, Act 1: Al cader della sera il Re qui giunge (Servo/Lady Macbeth) by Giuseppe Verdi, Leslie Fyson/Fiorenza Cossotto/New Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, New Philharmonia Orchestra has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Verdi: Macbeth, Act 1: Al cader della sera il Re qui giunge (Servo/Lady Macbeth) being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Torna a Surriento | Ernesto de Curtis, Luciano Pavarotti, Emerson Buckley, Symphony Orchestra Of Emilia Romagna "Arturo Toscanini" | E Minor | 1 | 9A | 96 BPM | ||
| Sono andati? (Mimì/Rodolfo) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | A♭ Major | 0 | 4B | 173 BPM | ||
| La traviata: Act II: Amami, Alfredo! (Violetta, Alfredo) | Giuseppe Verdi, Orquestra Sinfónica do Teatro Nacional de São Carlos Lisboa, Maria Callas, Alfredo Kraus, Franco Ghione | F Major | 6 | 7B | 90 BPM | ||
| Aida: Danza Sacre delle Sacerdotesse | Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris | C Major | 1 | 8B | 144 BPM | ||
| La traviata, Act II: Avrem lieta di maschere la notte | Giuseppe Verdi, Stefania Malagu, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 84 BPM | ||
| La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Cecilia Bartoli, Berliner Philharmoniker | B♭ Major | 2 | 6B | 110 BPM | ||
| Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
| La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
| Il trovatore, Act I: Di due figli – Abbietta zingara – Sull'orlo dei tetti | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | E Minor | 1 | 9A | 105 BPM | ||
| La bohème, Act I: Abasso, abbasso l'autor! | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM | ||
| Pagliacci / Act 1: Intermezzo | Ruggero Leoncavallo, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 1 | 12B | 93 BPM | ||
| La Traviata / Act 2: "Ogni suo aver tal femmina" | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | C Major | 3 | 8B | 125 BPM | ||
| Barcarolle | Jacques Offenbach, Anna Netrebko, Elina Garanca | D Major | 2 | 10B | 132 BPM | ||
| Mozart: Don Giovanni, K. 527, Act 2 Scene 15: "Don Giovanni, a cenar teco … Da qual tremore insolito" (Il Commendatore, Don Giovanni, Chorus, Leporello) | Wolfgang Amadeus Mozart, Riccardo Muti, Wiener Philharmoniker | B♭ Major | 2 | 6B | 75 BPM | ||
| Norma (1997 - Remaster), Act I, Scene 1: Norma viene (Coro) | Vincenzo Bellini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 2 | 5B | 127 BPM | ||
| La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
| Requiem In D Minor, K. 626: Sequence: V. Confutatis Maledictis | Slovak Philharmonic, Vladimir Ruso, Slovak Philharmonic Chorus, Stefan Klimo, Magdaléna Hajóssyová, Jaroslava Horska, Jozef Kundlák, Peter Mikulas, Wolfgang Amadeus Mozart | A Minor | 0 | 8A | 101 BPM | ||
| L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
| Requiem: IIa. Dies irae | Giuseppe Verdi, Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | C Minor | 4 | 5A | 77 BPM | ||
| Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | ||
| Les contes d'Hoffmann: "Barcarole" | Philharmonia Orchestra, Herbert von Karajan | D Major | 0 | 10B | 76 BPM | ||
| Carmina Burana: XXV. O fortuna | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 3 | 6B | 142 BPM | ||
| Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
| Il Trovatore: Coro di zingari | Giuseppe Verdi, Christer Solén, Staffan Sandlund, Eric Ericson, Orphei Drängar, Swedish Radio Symphony Orchestra, Leif Segerstam | G Major | 4 | 9B | 141 BPM |