"The Turning Point" by Lacrimosa had its release date on October 31, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 8 in Elodia by Lacrimosa. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, The Turning Point is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of The Turning Point by Lacrimosa is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Storm the Sorrow | Epica | F♯ Minor | 9 | 11A | 134 BPM | ||
| Paredes Blancas | El Cuervo de Poe | E Minor | 8 | 9A | 80 BPM | ||
| The Prophetess | Penumbra | D Major | 9 | 10B | 76 BPM | ||
| Little Demonchild | Beseech | E Minor | 8 | 9A | 110 BPM | ||
| In a Pale Moon´s Shadow (Chapter III) | Haggard | E Minor | 4 | 9A | 147 BPM | ||
| Touch In The Dark | Asrai, Sascha Paeth | E Minor | 6 | 9A | 125 BPM | ||
| Crepuscolaria (Agony in Red Minor) | Macbeth | C Major | 9 | 8B | 150 BPM | ||
| Innerlane | Beseech | F Major | 8 | 7B | 150 BPM | ||
| At Sixes and Sevens | Sirenia | D Major | 6 | 10B | 108 BPM | ||
| Angelus | El Cuervo de Poe | G Minor | 7 | 6A | 120 BPM | ||
| Chapter IV: The Sleeping Child | Haggard | A Minor | 7 | 8A | 160 BPM | ||
| Ravenheart | Xandria | F Major | 8 | 7B | 104 BPM | ||
| Carnival of Doom | Cadaveria | B♭ Minor | 10 | 3A | 120 BPM | ||
| The Camp of Souls | Aesma Daeva | A Minor | 6 | 8A | 130 BPM | ||
| The Dream | Cadaveria | E Major | 6 | 12B | 168 BPM | ||
| Am Ende stehen wir zwei | Lacrimosa | A♭ Minor | 5 | 1A | 120 BPM | ||
| The Turning Point | Lacrimosa | A Minor | 8 | 8A | 100 BPM | ||
| Zenith | Floor Jansen, After Forever | B Minor | 10 | 10A | 122 BPM | ||
| Silent Pain | The Sins Of Thy Beloved | A Minor | 7 | 8A | 121 BPM | ||
| Black Angel | Elis | C Major | 9 | 8B | 160 BPM | ||
| Aphellion | Tristania | B Minor | 9 | 10A | 120 BPM | ||
| Shining Light | Mono Inc., Tilo Wolff | F♯ Major | 7 | 2B | 130 BPM | ||
| Lost Time | Sunterra | A Major | 9 | 11B | 157 BPM | ||
| Witnesses | Anneke van Giersbergen, Agua de Annique | F Minor | 7 | 4A | 150 BPM | ||
| Fields of Ashes | Evereve | A♭ Minor | 9 | 1A | 108 BPM |