Zbigniew Preisner's 'Veni et vidi' had a release date set for January 1, 1998. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Veni et vidi's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Requiem for My Friend". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Veni et vidi's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Veni et vidi by Zbigniew Preisner having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fac Ut Portem | Andreas Scholl, Marco Rosano | B Minor | 2 | 10A | 67 BPM | ||
| After the Rain: III. Antiphon | Barry Guy, Richard Hickox, City of London Sinfonia | D Major | 3 | 10B | 83 BPM | ||
| Stabat mater: IX. Are You Lost Out In Darkness? | Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Chorus, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins | G Major | 2 | 9B | 85 BPM | ||
| Slave Raid | Balanescu Quartet | B♭ Major | 4 | 6B | 98 BPM | ||
| Requiem No. 1 in C Minor: Agnus Dei | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 128 BPM | ||
| The Last Farm 1 | Kjartan Sveinsson | C Minor | 3 | 5A | 160 BPM | ||
| Quarantine Song | Aleksander Debicz, Łukasz Kuropaczewski, Jakub Józef Orliński | E Minor | 1 | 9A | 169 BPM | ||
| Konig der letzten Tage (King of the Last Days): Gloria | Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | E Minor | 3 | 9A | 116 BPM | ||
| Finish It (feat. Kronos Quartet) | Clint Mansell, Kronos Quartet | B♭ Major | 1 | 6B | 113 BPM | ||
| Allt Varð Hljótt | Ólafur Arnalds | A Minor | 2 | 8A | 143 BPM | ||
| Close Your Eyes - Instrumental | Osvaldo Golijov, Kronos Quartet | G Minor | 1 | 6A | 89 BPM | ||
| Odjaroum (Come Home) | Lévon Minassian | F Major | 5 | 7B | 160 BPM | ||
| Messe de Requiem, Op. 54: VIII. Agnus dei | Camille Saint-Saëns, Diego Fasolis, Orchestra della Svizzera Italiana, Marie-Paule Dotti, Guillemette Laurens, Luca Lombardo, Nicolas Teste, Francesco Cera, Swiss Radio Choir | F Minor | 0 | 4A | 82 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 83 BPM | ||
| 3 Khora: No. 2, Lyubov Svyataya (3 Choruses: Sacred Love) | Georgy Sviridov, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | D Major | 2 | 10B | 83 BPM | ||
| 3326 | Ólafur Arnalds | D Minor | 3 | 7A | 83 BPM | ||
| Stabat Mater: I. Stabat Mater dolorosa | New Trinity Baroque | E Minor | 0 | 9A | 65 BPM | ||
| Bram Stoker's Dracula: Mina / Dracula | Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | B Minor | 1 | 10A | 80 BPM | ||
| Miserere, Op. 44: 8. Domine Deus noster - Lento. Affenttuoso | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 133 BPM | ||
| Danube | Abel Korzeniowski | D Major | 5 | 10B | 140 BPM | ||
| Voices of Light: IV. the Jailers - Voice | Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Steven Mercurio | F♯ Minor | 0 | 11A | 126 BPM | ||
| The Hills of Kalervola | Lauri Porra, Lahti Symphony Orchestra, Kristian Sallinen | C Major | 1 | 8B | 136 BPM | ||
| Vientulais Engelis: Meditation for Violin and String Orchestra | Pēteris Vasks, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | A Major | 3 | 11B | 107 BPM | ||
| Faust / Episode 2: Nachspiel | Karsten Gundermann, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | C Major | 0 | 8B | 81 BPM |