Ravindra Jain, Hemlata's 'Arun Nayan Ur Bahu Bishala' had a release date set for January 1, 2007. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 52 in Baal Kaand by Jaidev, Ravindra Jain. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Arun Nayan Ur Bahu Bishala is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Arun Nayan Ur Bahu Bishala by Ravindra Jain, Hemlata is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ram Katha Sankshipt Bharat Seo Kapi Keh Daari (From "Lanka Kaand") | Arun Dangle, Ravindra Jain | A Minor | 6 | 8A | 95 BPM | ||
| Dhari Roopa Paavak Paani Gahi Shri Satya Shruti Jaaga Bidita Jo | Nitin Mukesh, Arun Dangle, Hemlata | A Minor | 4 | 8A | 94 BPM | ||
| Maza Maza Mhaneet Hoto | Mahendra Kapoor | G Major | 5 | 9B | 81 BPM | ||
| Apna Gham Bhool Gaye | Jagjit Singh | G Major | 2 | 9B | 69 BPM | ||
| Dattaguruna Smara | R.N. Paradkar | D♭ Minor | 4 | 12A | 101 BPM | ||
| Santh Wrhrte | Sudhir Phadke | F♯ Major | 3 | 2B | 90 BPM | ||
| Main Na Mangoon Maiya Tose | Hemlata | F Minor | 4 | 4A | 84 BPM | ||
| Aaj Mee Dattaguru Pahile | R.N. Paradkar | D♭ Major | 3 | 3B | 102 BPM | ||
| Tu Ram Kahe Ya Krishna Kahe | Anup Jalota | A♭ Major | 5 | 4B | 96 BPM | ||
| Manavteche Mandir Maze | Sudhir Phadke | E Major | 5 | 12B | 99 BPM | ||
| Mhari Araj Bajrang | Suresh Wadkar Sanjeev Kumar, Nikhil | F♯ Major | 2 | 2B | 129 BPM | ||
| Dis Naklat Jaai | Arun Date | B♭ Minor | 4 | 3A | 123 BPM | ||
| Tuj Sagun Mhanu Ki Nirgun Re | Sudhir Phadke | A Major | 4 | 11B | 110 BPM | ||
| Mrudul Karani Chhedit Taara | Suman Kalyanpur | D♭ Minor | 2 | 12A | 83 BPM | ||
| Aaj Machi Hai Dhoom | Uma Devi | D♭ Major | 2 | 3B | 103 BPM | ||
| Gajanana Shree Ganraya | Sanjeevani Bhelande | B Major | 5 | 1B | 92 BPM | ||
| Kuni Jaal Ka Sangaal Ka 1965 | Vasantrao Deshpande | D♭ Major | 4 | 3B | 79 BPM | ||
| Ei Sanjhjhara Lagane | Sandhya Mukherjee | B Major | 1 | 1B | 83 BPM | ||
| Dutta Majhi Mata | Swapnil Bandodkar, Madhuri Karmarkar | F♯ Minor | 6 | 11A | 155 BPM | ||
| Jawaniya Ke Din Dui Char Rasiya | Hansa Dave, Kalyanji-Anandji | E♭ Major | 6 | 5B | 100 BPM | ||
| Om Gajanan Maharaj Swami | Ajit Kadkade | B Major | 5 | 1B | 134 BPM | ||
| Seedhi Seedhi Chadhta Ja - REMASTERED | Ravindra Jain, Kavita Krishnamurthy | F Minor | 9 | 4A | 80 BPM | ||
| Mumbaichi Kelevali | Usha Mangeshkar | E Minor | 3 | 9A | 85 BPM | ||
| Raajmahal Mein Bachpan Beeta | Ravindra Jain | A Minor | 3 | 8A | 83 BPM | ||
| Mashriq Se Jo Aaye - From "Aashiq Hoon Baharon Ka" | Kishore Kumar | B♭ Major | 6 | 6B | 135 BPM |