"Tannhauser: Overture" by Richard Wagner, Slovak Philharmonic, Michael Halasz had its release date on May 6, 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner, R. (The Best Of) by Richard Wagner. The song's track number on the album is #3 out of 8 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Tannhauser: Overture is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhauser: Overture by Richard Wagner, Slovak Philharmonic, Michael Halasz has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Tannhauser: Overture being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Toccata | Johann Sebastian Bach, Symphonica Orchestra, Leopold Stokowski | D Major | 2 | 10B | 130 BPM | ||
| Parsifal, Act I: O wunden-wundervoller heiliger Speer | Richard Wagner, Marjon Lambriks, Anne Gjevang, Heiner Hopfner, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 65 BPM | ||
| Guillermo Tell: Obertura | Wilhelm Hertz | E Major | 2 | 12B | 173 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 82 BPM | ||
| Kobenhavns Jernbanedamp Galop (Copenhagen Steam Railway Galop): Kjobenhavens Jernbane-Damp-Galop | Hans Christian Lumbye, Slovak State Philharmonic Orchestra, Mika Eichenholz | E Major | 2 | 12B | 82 BPM | ||
| Carmina Burana: VI. Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
| Le rouet d'Omphale, Op. 31: Le Rouet d'Omphale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Major | 0 | 10B | 121 BPM | ||
| Così fan tutte, K. 588 / Act I: "La mia Dorabella" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 128 BPM | ||
| Carmina Burana / 2. In Taberna: "Olim lacus colueram" | Carl Orff, Gerhard Stolze, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin | G Major | 1 | 9B | 136 BPM | ||
| Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolf Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM | ||
| Cavalleria rusticana: Part I: Regina coeli, laetare (Chorus, Santuzza) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 2 | 8B | 82 BPM | ||
| Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM | ||
| Tosca, Act III: Come è lunga l'attesa! | Giacomo Puccini, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno | C Major | 1 | 8B | 76 BPM | ||
| Pirogov Suite, Op. 76a (Arr. L. Atovmyan for Orchestra): V. Finale | Dmitri Shostakovich, Bolshoi Theatre Orchestra, Maxim Shostakovich | E♭ Major | 2 | 5B | 107 BPM | ||
| Suppé: Leichte Kavallerie: Ouvertüre | Franz von Suppé, Royal Philharmonic Orchestra, Philip Ellis | A Major | 3 | 11B | 85 BPM | ||
| Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
| Götterdämmerung, Prologue: Mehr gabst du, Wunderfrau, als ich zu wahren weiss | Richard Wagner, Helga Dernesch, Helge Brilioth, Berliner Philharmoniker, Herbert von Karajan | F Major | 4 | 7B | 71 BPM | ||
| Strauss, R: An Alpine Symphony, Op. 64: I. Night | Richard Strauss, Rudolf Kempe, Staatskapelle Dresden | F Major | 1 | 7B | 79 BPM | ||
| Die Walküre, WWV 86B / Erster Akt: "Müd am Herd fand ich den Mann" | Richard Wagner, Gundula Janowitz, Jon Vickers, Martti Talvela, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 170 BPM | ||
| Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Symphony No. 7 in C Major, Op. 60, "Leningrad": II. Moderato | Dmitri Shostakovich, Michael Sanderling, Dresdner Philharmonie | G Major | 0 | 9B | 73 BPM |