"Prince Igor: Polovtsian Dances: a. Introduction. Andantino" by Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan had its release date on September 13, 2024. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Prince Igor: Polovtsian Dances: a. Introduction. Andantino's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Herbert von Karajan, Alban Berg, Hector Berlioz, Georges Bizet, Luigi Boccherini, Alexander Borodin's "Karajan A-Z: Berg - Borodin" album is number 100 out of 106. On top of that, Germany appears to be the country where this track was created. Prince Igor: Polovtsian Dances: a. Introduction. Andantino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prince Igor: Polovtsian Dances: a. Introduction. Andantino by Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pictures at an Exhibition (Orch. Ravel): VI. Samuel Goldenberg und Schmuÿle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Minor | 1 | 11A | 114 BPM | ||
| Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
| Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto – Vivace | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 101 BPM | ||
| Gayane Suite No. 1: II. Gayane and Giko | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | C Minor | 2 | 5A | 78 BPM | ||
| Symphony No.2 In D, Op.73: 4. Allegro con spirito | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 102 BPM | ||
| Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | A Minor | 5 | 8A | 93 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
| The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 140 BPM | ||
| Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 2 | 12B | 84 BPM | ||
| Aus aller Herren Landern (From Foreign Lands), Op. 23: III. German: Andante | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 58 BPM | ||
| Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante | Alexander Borodin, Borodin Quartet | F Major | 3 | 7B | 96 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Giselle, Act II: No. 16, Finale | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 105 BPM | ||
| Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 77 BPM | ||
| Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): II. Act II. Opening - Interlude 3 - Interlude 4 | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | B♭ Minor | 0 | 3A | 111 BPM | ||
| Alborada del gracioso, M. 43: Assez vif | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Major | 1 | 10B | 121 BPM | ||
| Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 84 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
| Ein Heldenleben, Op. 40, TrV 190: Der Held | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 112 BPM | ||
| L'Arlésienne Suite No.2: Pastorale | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 80 BPM | ||
| Polovetsian Dances from Prince Igor: Allegro vivo | Alexander Borodin, George Szell, Cleveland Orchestra | F Major | 3 | 7B | 81 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio – Allegro molto | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 115 BPM | ||
| Symphony No.8 In G, Op.88, B. 163: 2. Adagio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | C Major | 1 | 8B | 80 BPM | ||
| Aus aller Herren Landern (From Foreign Lands), Op. 23: V. Polish: Allegro con fuoco | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | B♭ Major | 1 | 6B | 82 BPM | ||
| Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": I. Allegro vivace | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM |