Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): II. Act II. Opening - Interlude 3 - Interlude 4 by Claude Debussy, Berliner Philharmoniker, Claudio Abbado Song Details

"Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): II. Act II. Opening - Interlude 3 - Interlude 4" by Claude Debussy, Berliner Philharmoniker, Claudio Abbado had its release date on January 1, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 8 in Debussy: Prélude à l'aprés-midi d'un faune; Trois Nocturnes; Pelléas et Mélisande Suite by Claude Debussy, Berliner Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): II. Act II. Opening - Interlude 3 - Interlude 4 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): II. Act II. Opening - Interlude 3 - Interlude 4 by Claude Debussy, Berliner Philharmoniker, Claudio Abbado is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.

Music Key

B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 15%
Loudness: -29.69 dB
Acousticness: 96%
Danceability: 16%
Energy: 1%
Instrumentalness: 72%
Liveness: 28%
Loudness: 51%
Speechiness: 5%
Valence: 3%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Major	0	9B	86 BPM
Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato	Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan	E♭ Minor	0	2A	75 BPM
L'Arlésienne Suite No.1: Adagietto	Georges Bizet, Berliner Philharmoniker, Herbert von Karajan	F Major	0	7B	112 BPM
The Planets - Suite for large orchestra, Op.32: III. Mercury, the Winged Messenger (Vivace)	Sir Simon Rattle, Berliner Philharmoniker	F Major	0	7B	118 BPM
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: V. Poco adagio	Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle	E♭ Minor	0	2A	61 BPM
Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	C Major	3	8B	83 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	A Major	1	11B	113 BPM
Symphony No.9 In D / 1. Satz: Andante comodo	Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan	D Major	1	10B	172 BPM
Sinfonietta, FP 141: I. Allegro con fuoco	Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud	G Major	0	9B	111 BPM
Prélude à l'après-midi d'un faune	Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Emmanuel Pahud	A♭ Minor	0	1A	84 BPM
Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo. Vivace	Sergei Prokofiev, YUNDI, Berliner Philharmoniker, Seiji Ozawa	F♯ Minor	2	11A	100 BPM
Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante	Johannes Brahms, Sir Simon Rattle, Berliner Philharmoniker	C Major	0	8B	60 BPM
Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	F Minor	2	4A	117 BPM
Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse)	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	C Minor	0	5A	83 BPM
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F♯ Major	0	2B	69 BPM
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro	Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	86 BPM
Variations on an Original Theme, Op. 36 "Enigma": 12. B.G.N. (Andante)	Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner	B♭ Major	1	6B	75 BPM
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	B♭ Major	2	6B	73 BPM
Piano Concerto No. 1 in C Minor, Op 33: I. Allegro	Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra	G Major	2	9B	79 BPM
Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze	Richard Wagner, Berliner Philharmoniker, Lorin Maazel	G Minor	0	6A	91 BPM
Romance in F Minor, Op. 11, B. 39	Antonín Dvořák, Anne-Sophie Mutter, Berliner Philharmoniker, Manfred Honeck	A Minor	1	8A	131 BPM
Symphony No. 4 in G Major: II. In gemächlicher Bewegung. Ohne Hast	Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin	C Major	0	8B	135 BPM
Petrouchka: Bohémien et marchand malhonnête	Ferenc Fricsay, Berliner Philharmoniker	C Major	5	8B	136 BPM
Pini di Roma, P. 141: II. Pini presso una catacomba	Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli	F Minor	0	4A	93 BPM
Flute Concerto in G Minor, Op. 10/2, RV 439 "La notte": V. Il sonno. Largo – VI. Allegro	Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan	G Minor	2	6A	124 BPM