G Balakrishna Prasad's ' "Garudadri Vedadri" was released on its scheduled release date, November 1, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 8 in Annamayya Alivelmanga Vybhavam by G Balakrishna Prasad. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Garudadri Vedadri is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Garudadri Vedadri by G Balakrishna Prasad is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sharanu Sharanu | Sri Vidyabhushana | F Major | 4 | 7B | 84 BPM | ||
| SAMIYAE IYAPPO | Veeramanidaasan | C Major | 6 | 8B | 129 BPM | ||
| Nambidora Mane | M. S. Ravigowda, B. Jayashree, Nandita | C Major | 6 | 8B | 118 BPM | ||
| Andamaina Taallapaaka | G Balakrishna Prasad | F♯ Major | 7 | 2B | 136 BPM | ||
| Chandrakantha | S.P. Balu | F♯ Major | 4 | 2B | 144 BPM | ||
| Jagadodaranaa | Narasimha Naik | A Major | 7 | 11B | 92 BPM | ||
| Suryodayadi Yeluva | Ajay Warriar | A Major | 8 | 11B | 95 BPM | ||
| Naranaroopadali Harana | Rajkumar | C Minor | 5 | 5A | 82 BPM | ||
| Manjunatha Bhaktha Preetha | Vidyabhushana | G Major | 5 | 9B | 86 BPM | ||
| Anthayu Neeve | G Balakrishna Prasad | A♭ Major | 5 | 4B | 84 BPM | ||
| Cheluvayya Cheluvo | C. Ashwath, Ratnamala Prakash | C Major | 2 | 8B | 162 BPM | ||
| Bettada Melondu Maneya | K. Yuvaraj | C Minor | 6 | 5A | 132 BPM | ||
| Smaravaaram Varam | Unnikrishnan | G Major | 5 | 9B | 78 BPM | ||
| Namosthuthe Subrahmanyane | Ramu Maharajapuram, Lokesh Gowda, Annamayya Keerthana | F Major | 7 | 7B | 93 BPM | ||
| Metla Paata | Parupalli Sri Ranganath | A Minor | 7 | 8A | 82 BPM | ||
| Anjayaneya Anilaja | G Balakrishna Prasad | G Major | 7 | 9B | 155 BPM | ||
| Jogula Baviyalli Jalaka Madi | Shabbir Dange, Sujatha Dutt | D Major | 8 | 10B | 132 BPM | ||
| Haakiro Hejje | Dr. Rajkumar | E Major | 5 | 12B | 150 BPM | ||
| KARTHIGAI PIRANDHATHU | Veeramanidasan | G Minor | 5 | 6A | 111 BPM | ||
| Lali SriKrishnayya | Vedavathi Prabhakar | B♭ Major | 6 | 6B | 125 BPM | ||
| Hittu Maade Soppu Maade | Appagere Thimmaraju, Nanditha | A♭ Major | 4 | 4B | 163 BPM | ||
| Namo Narayanaya | G Balakrishna Prasad | C Minor | 5 | 5A | 156 BPM | ||
| Shankarara Sthothrake | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | F♯ Major | 4 | 2B | 172 BPM | ||
| Devadundubhulathoda | S.V. Anand Bhattar | F Major | 7 | 7B | 148 BPM | ||
| Lemmu Shankara Puthra | Dr. M. Balamuralikrishna, Upendra Kumar, J.H.B Acharya | C Major | 6 | 8B | 173 BPM |