On January 1, 2011, the song "Metla Paata" was released by Parupalli Sri Ranganath. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Parupalli Sriranganath's "Harihara Sutha Ayyappa" album is number 7 out of 8. On top of that, India appears to be the country where this track was created. Metla Paata is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Metla Paata by Parupalli Sri Ranganath to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mooshikavahana | Partha Saradhi | F Major | 6 | 7B | 94 BPM | ||
| Nottru Chuvarkam - Nithyasree Mahadevan | Nithyasree Mahadevan | D♭ Minor | 6 | 12A | 172 BPM | ||
| Adhigadhigo Sri Sailam | P. Susheela | C Minor | 8 | 5A | 167 BPM | ||
| Aazhi Mazhai Kanna - Nithyasree Mahadevan | Nithyasree Mahadevan | F♯ Major | 4 | 2B | 84 BPM | ||
| Anjani Suthudu | Shashikala | D♭ Major | 7 | 3B | 147 BPM | ||
| Avatharinchu | P. Susheela | E Minor | 7 | 9A | 94 BPM | ||
| Vijayawada Nandu | Jadala Ramesh | G Major | 8 | 9B | 81 BPM | ||
| Shiridi Vasa | Ramana | C Minor | 8 | 5A | 100 BPM | ||
| Namo Namo Sainatha | Parupalli Sri Ranganath | A Minor | 8 | 8A | 62 BPM | ||
| Vibhudi Mahima | K. S. Chithra | F Major | 4 | 7B | 132 BPM | ||
| Naayakanaai | Sikkil Gurucharan | D Major | 5 | 10B | 90 BPM | ||
| Shabari Kondallo Velasina Ayyappa | Ganga Puthra Narsing Rao | F Minor | 7 | 4A | 96 BPM | ||
| Sri Kanaka Durga | Parupalli Ranganath | E♭ Minor | 6 | 2A | 101 BPM | ||
| Thiruveedhula | G Balakrishna Prasad | F Major | 5 | 7B | 132 BPM | ||
| Mallepoovva Mallepoovva | Vandemataram Srinivas, Chitra, Bhuvana Chandra | E Minor | 8 | 9A | 93 BPM | ||
| Sree Lakshmee Varaaham | M. S. Sheela | D Major | 5 | 10B | 161 BPM | ||
| Megha Katha | Karthik | G Major | 10 | 9B | 86 BPM | ||
| Kuttu Vilakeeriya | Sikkil Gurucharan | E Minor | 5 | 9A | 84 BPM | ||
| PALLE PALLELLONA VELASINA | JADALA RAMESH | F Minor | 7 | 4A | 165 BPM | ||
| Sitransiru Kalai | Bombay Sisters | A♭ Major | 5 | 4B | 114 BPM | ||
| Hey Jyothi | P. Susheela, Samudrala Sr. | B♭ Major | 6 | 6B | 188 BPM | ||
| Hari Neeve Antaryami | G. Nageshwara Naidu | G Major | 4 | 9B | 104 BPM | ||
| Mahaalakshmi Jaganmaata | M. S. Sheela | D Major | 5 | 10B | 161 BPM | ||
| Navagraha Dhyana Slokam | Parupalli Sri Ranganath | A Major | 5 | 11B | 90 BPM | ||
| Jaya Jaya Sri Hanuma | Mano | E Major | 5 | 12B | 97 BPM |