Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet's ' "Violin Concerto No. 5 in D Major, Op. 7: III. Rondo à la russe" was released on its scheduled release date, January 6, 2015. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Rode: Violin Concertos Nos. 1, 5 & 9". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Violin Concerto No. 5 in D Major, Op. 7: III. Rondo à la russe is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Violin Concerto No. 5 in D Major, Op. 7: III. Rondo à la russe by Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Las 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Strings): No. 3, Primavera Porteño [Spring] | Tianwa Yang, Nashville Symphony Orchestra, Giancarlo Guerrero | G Minor | 1 | 6A | 138 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: II. Fugato | Eugène Ysaÿe, Hilary Hahn | G Minor | 2 | 6A | 101 BPM | ||
| 24 caprices en formes d'etudes: No. 24 in D Minor | Pierre Rode, Axel Strauss | G Minor | 2 | 6A | 116 BPM | ||
| Violin Concerto No. 7 in A Minor, Op. 9: I. Moderato | Pierre Rode, Friedemann Eichhorn, SWR Rundfunkorchester Kaiserslautern, Nicolás Pasquet | E Major | 2 | 12B | 112 BPM | ||
| Air varié in E Major, Op. 12 | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | E Major | 1 | 12B | 128 BPM | ||
| Vitali: Chaconne in G Minor | Tomaso Antonio Vitali, Ji Young Lim, Dong Hyek Lim | G Minor | 2 | 6A | 143 BPM | ||
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | E Minor | 2 | 9A | 82 BPM | ||
| Cello Concerto in E Minor, RV 409: I. Adagio - Allegro | Jiaxin Lloyd Webber, Julian Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 1 | 6A | 108 BPM | ||
| Caprice No. 12 | Yaroslav Medvedev-Taraldset, Davian Monfette | G Minor | 3 | 6A | 87 BPM | ||
| Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Arabella Steinbacher, Festival Strings Lucerne (musical direction), Lucerne Festival Strings, Daniel Dodds | G Major | 1 | 9B | 119 BPM | ||
| Wieniawski: 8 Etudes-Caprices, Op. 18: No. 2 in E-Flat Major | Henryk Wieniawski, Itzhak Perlman, Pinchas Zukerman | C Minor | 1 | 5A | 94 BPM | ||
| Five Pieces For Two Violins and Piano: II. Gavotte | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | A Major | 1 | 11B | 82 BPM | ||
| Souvenir de Spa, Op. 2: III. Variation 1 | Adrien François Servais, Sol Gabetta, Cappella Gabetta | D Major | 5 | 10B | 76 BPM | ||
| Cello Concertino No. 1 in C Major, Op. 7: I. Allegro | Julius Klengel, Mari Kato, Martin Rummel | C Major | 2 | 8B | 129 BPM | ||
| Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
| 12 Caprices for Solo Cello, Op. 25: No. 1, Allegro quasi presto | Alfredo Piatti, Soo Bae | G Minor | 2 | 6A | 141 BPM | ||
| Fiocco: Harpsichord Suite No. 1: X. Allegro (Arr. for Violin and Piano by Arthur Bent and Norman O'Neill) [from "24 Pièces de clavecin", Op. 1] | Joseph-Hector Fiocco, Itzhak Perlman, Samuel Sanders | G Major | 3 | 9B | 134 BPM | ||
| Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | D Major | 3 | 10B | 85 BPM | ||
| Violin Concerto in G Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Isabelle Faust, Muriel Cantoreggi, Christoph Poppen, Bach-Collegium Stuttgart, Helmuth Rilling | F Major | 1 | 7B | 61 BPM | ||
| Cello Concerto No. 2 in D Major, Op. 101, Hob. VIIb:2: II. Adagio | Joseph Haydn, Pavel Lyubomudrov, Metamorphose String Orchestra, Mikael Samsonov | B Minor | 1 | 10A | 103 BPM | ||
| Gretchen am Spinnrade, D. 118 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | D Minor | 2 | 7A | 84 BPM | ||
| Concerto for Strings in G Major, TWV 51:G9: III. Andante | Warmia Symphonic Orchestra, Silvano Frontalini, Giovanni Antonioni | E Minor | 2 | 9A | 54 BPM | ||
| Viola Concerto in G Minor: II. Andante un poco sostenuto | Cecil Forsyth, Baden-Badener Philharmonie, Hartmut Rohde, Pavel Baleff | F Major | 1 | 7B | 75 BPM | ||
| Violin Sonata No. 4 in D Major, HWV 371, Op. 1: I. Adagio | Anthony Bracewell, Jun Cho | A Major | 0 | 11B | 78 BPM | ||
| Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: II. Adagio | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Major | 2 | 11B | 93 BPM |