On March 12, 1995, the song "Trigunatmak Trimurti (Traditional Aarti)" was released by Ajit Kadkade. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Smara Gurudatt". In this album, this song's track order is #9. Furthermore, we believe that the track originated from India. In terms of popularity, Trigunatmak Trimurti (Traditional Aarti) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Trigunatmak Trimurti (Traditional Aarti) by Ajit Kadkade having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vitthal Amuche | Ajit Kadkade | G Major | 6 | 9B | 127 BPM | ||
| Kailasrana Shiv Chandramauli - Shri Shivstuti | Pandit Ajit Kadkade | E♭ Major | 4 | 5B | 84 BPM | ||
| Amrutachi Godi Tuzya Bhajanat | Suryakant Shinde | F♯ Minor | 9 | 11A | 86 BPM | ||
| Aalndi He Gav He Punya Bhumi Thav | Rekha Manvatkar | D♭ Major | 8 | 3B | 91 BPM | ||
| Swami Samarth Stuti | Kedar Phadke, Aboli Girhe, Deepali Desai | F♯ Major | 5 | 2B | 96 BPM | ||
| Man Lago Re Lago Guru Bhajani | Swapnil Bandolkar | E♭ Minor | 7 | 2A | 93 BPM | ||
| Laxmi Ashtakam | Shalini Srivastava | C Major | 4 | 8B | 89 BPM | ||
| Swami Samarth Manas Puja | Pradnya Annam | A Major | 7 | 11B | 152 BPM | ||
| Deva Tuzya | Dnyaneshwar Meshram | D♭ Major | 3 | 3B | 100 BPM | ||
| Naam Vitthal Sundar - Studio | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Are Kondala Kondala - Bhajan | Chandrashekhar Gadgil, Sharad Niphadkar | G Major | 5 | 9B | 95 BPM | ||
| Bhole Ki Jai Shivji Ki Jai Jai | Rishi Nityapragya | B Minor | 8 | 10A | 113 BPM | ||
| Pandharichi Vaari | Bhimsen Joshi | D♭ Major | 4 | 3B | 82 BPM | ||
| Chala Re Jaauya Shirdila | Sachidanand Appa | G Major | 7 | 9B | 107 BPM | ||
| Dibambara Digambara | Mahesh Hiremath, Shubhangi Joshi | E♭ Major | 5 | 5B | 173 BPM | ||
| Narsobachya Vadeela | Ajeet Kumar Kadkade | E♭ Major | 4 | 5B | 120 BPM | ||
| Vitthal Maza Maza Mi Vitthalacha (Dhun) | Unmesh Tayade, Avinash Sasane | A♭ Minor | 5 | 1A | 108 BPM | ||
| Rupe Shyamsundar - Studio | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Dattaguru Jay Duttaguru | Swapnil Bandodkar | D♭ Minor | 8 | 12A | 88 BPM | ||
| Runjhun Ghunghroo Baaje | Sachidanand Appa | E Major | 9 | 12B | 134 BPM | ||
| Dev Maza Vithu Sawala | Suman Kalyanpur | A Major | 3 | 11B | 70 BPM | ||
| Mumbaichya Chaukaat Punyachya Pethet | Ajit Kadkade, Sujata Patwa, Madhuri Kande, Mangla Mhapuskar, Vidhya Tipnis | A♭ Major | 6 | 4B | 121 BPM | ||
| Tuja Pahata Saamori | Ashwini Bhide Deshpande | B Minor | 5 | 10A | 82 BPM | ||
| Aaji Soniyacha Dinu | Harichandra Patli | E♭ Major | 7 | 5B | 99 BPM | ||
| Owala Majhya Sadguru Raya | Ajeet Kumar Kadkade | D♭ Major | 6 | 3B | 171 BPM |