"The Abyss (Ambient Late)" by Griffin Cohen had its release date on October 24, 2014. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 71 in the song's album "Sid Meier's Civilization: Beyond Earth (Original Game Soundtrack)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Turks and Caicos Islands. The popularity of The Abyss (Ambient Late) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Abyss (Ambient Late) by Griffin Cohen having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Tale of Sim Cities - Future Mix | Chris Tilton | B♭ Major | 1 | 6B | 180 BPM | ||
| Our Town | Marc Canham | A♭ Minor | 0 | 1A | 106 BPM | ||
| Grasping At Straws (From "Anno 2070 Deep Ocean") | Alexander Roeder, Jochen Flach, Markus Schmidt, Tilman Sillescu | D Minor | 2 | 7A | 120 BPM | ||
| Zafirbel Bay | Fredrik Jonasson | F♯ Major | 2 | 2B | 69 BPM | ||
| Caves | Rytelier | B♭ Minor | 1 | 3A | 86 BPM | ||
| Dancing Shadows | Aakaash Rao | D Major | 6 | 10B | 134 BPM | ||
| Unsheltered | Austin Wintory | G Major | 5 | 9B | 208 BPM | ||
| Exploration: Neutral - The Ring Nebula | Erasmus Talbot | B Major | 2 | 1B | 168 BPM | ||
| Gefn of the Birthing Waters | e.hillman | F Minor | 1 | 4A | 81 BPM | ||
| The Dead Plains | Jesper Kyd | E Minor | 3 | 9A | 84 BPM | ||
| Celestium (From The Planetfall Soundtrack) | Michiel van den Bos | C Minor | 4 | 5A | 91 BPM | ||
| Northwind | Dreyma | E♭ Minor | 1 | 2A | 73 BPM | ||
| Exploration: Neutral - White Dwarf | Erasmus Talbot | A Minor | 1 | 8A | 86 BPM | ||
| The Temple of the Sands | Damjan Mravunac | C Major | 3 | 8B | 80 BPM | ||
| Welcome to New Eden | Roc Wieler | E Minor | 5 | 9A | 109 BPM | ||
| Peace and Prosperity | Michiel van den Bos | G Major | 0 | 9B | 71 BPM | ||
| Before Was Only Chaos | Damjan Mravunac | A Major | 2 | 11B | 118 BPM | ||
| Lux Perpetua | Geoff Knorr | E♭ Minor | 2 | 2A | 81 BPM | ||
| The BattleScene I | Arnaud Roy | E♭ Major | 5 | 5B | 96 BPM | ||
| Deckard | Everrune | C Minor | 2 | 5A | 160 BPM | ||
| 旅をするのも容姿から | 大木優拓 | A Minor | 1 | 8A | 104 BPM | ||
| Lost Temple | Brian Estes | C Major | 4 | 8B | 124 BPM | ||
| The Age of Arcana | Grant Kirkhope | E Minor | 1 | 9A | 127 BPM | ||
| Making Peace with Ourselves | Olivier Deriviere | G Major | 2 | 9B | 83 BPM | ||
| Tartaros Trials | Gareth Coker | A Minor | 2 | 8A | 94 BPM |