"Interlude No. 5" by Calmus Ensemble had its release date on August 1, 2012. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 23 in the song's album "Touched". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Based on our statistics, Interlude No. 5's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Interlude No. 5 by Calmus Ensemble having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tristis Est Anima Mea | Johann Kuhnau | F Minor | 1 | 4A | 134 BPM | ||
| Il desiderio: No. 3, Morir non può il mio cuore | Maddalena Casulana, Singer Pur | E♭ Major | 1 | 5B | 139 BPM | ||
| Gott des Himmels und der Erden | Heinrich Albert, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel | F Major | 1 | 7B | 85 BPM | ||
| Preisung CXLVIII | Sjaella | A Minor | 1 | 8A | 137 BPM | ||
| Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | ||
| Misa a Buenos Aires "Misatango": Benedictus | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | G Major | 1 | 9B | 78 BPM | ||
| Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM | ||
| Messe brève No. 7: I. Kyrie | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D Minor | 2 | 7A | 104 BPM | ||
| I am my brothers´s keeper | Sjaella | C Major | 1 | 8B | 130 BPM | ||
| Quomodo cantabimus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 77 BPM | ||
| Missa Iste confessor domini: Christe Ia | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | C Major | 1 | 8B | 71 BPM | ||
| Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Workin' for the Dawn of Peace (Arr. for Choir by Ron Jeffers) | Irving Gordon, Walter Kittredge, Skylark Vocal Ensemble, Matthew Guard | D♭ Major | 2 | 3B | 106 BPM | ||
| J. G. Rheinberger: Abendlied | Josef Rheinberger, Karin Freist-Wissing, Vox Bona - Kammerchor der Kreuzkirche Bonn | F Major | 0 | 7B | 135 BPM | ||
| Messe brève No. 7: V. Agnus Dei | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | G Major | 6 | 9B | 128 BPM | ||
| 3 Motets, Op. 69: No. 1, Herr, nun lässest du deinen Diener in Frieden fahren fahren | Felix Mendelssohn, MDR Leipzig Radio Choir, Philipp Ahmann | E♭ Major | 1 | 5B | 174 BPM | ||
| Ecce quomodo moritur à 4 | Jacobus Gallus, Chorwerk Ruhr, Florian Helgath | D Major | 0 | 10B | 74 BPM | ||
| Abschied | Joël von Moos, Daria Occhini, Eberhard Rex, Luzerner Kantorei | E Major | 2 | 12B | 71 BPM | ||
| Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
| 7 Lieder Op. 62: No. 3 Waldesnacht | Johannes Brahms, Calmus Ensemble | A♭ Major | 1 | 4B | 97 BPM | ||
| Pater Meus | UNIVERSITY OF JOHANNESBURG CHOIR | B Minor | 1 | 10A | 136 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Tota pulchra es, WAB 46 | Anton Bruckner, Jānis Kurševs, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | C Major | 0 | 8B | 131 BPM | ||
| Missa Hercules dux Ferrariae: III. Credo | Josquin des Prez, Odhecaton, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| I Will Praise Thee, Oh Lord | Knut Nystedt, Kristine Kammarkör, Karin Edwardsson | E Minor | 3 | 9A | 79 BPM |