On January 1, 2001, the song "Can I Call You Joe? - Score" was released by John Debney. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "The Princess Diaries". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United States. Based on our statistics, Can I Call You Joe? - Score's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Can I Call You Joe? - Score by John Debney having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hotel Keys | Michael Giacchino | F Major | 0 | 7B | 95 BPM | ||
| Opening Title - From "Dear Frankie" | Alex Heffes | A Major | 3 | 11B | 67 BPM | ||
| Chapters | Geoff Zanelli, Jon Brion | G Major | 4 | 9B | 170 BPM | ||
| Bonding | John Williams, Christopher Parkening | G Major | 0 | 9B | 91 BPM | ||
| Can I Call You Joe? - Score | John Debney | G Major | 2 | 9B | 132 BPM | ||
| Sunday / the Rat / Morning Paper | Oliver Wallace | A♭ Minor | 1 | 1A | 127 BPM | ||
| Father Talk - Score | John Debney | C Major | 0 | 8B | 81 BPM | ||
| Bedtime/An Evening Constitutional/A Job to Do/They're Gone! - Original | The Cast of 101 Dalmatians | E♭ Major | 1 | 5B | 89 BPM | ||
| Eshkeri: Three Witches | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Minor | 1 | 5A | 94 BPM | ||
| Us And Them | The Chamber Orchestra Of London | D Major | 3 | 10B | 180 BPM | ||
| All's Well That End's Well | Christian Henson | B Major | 1 | 1B | 135 BPM | ||
| Austenland Symphony: I. Sonata | Ilan Eshkeri | C Major | 2 | 8B | 89 BPM | ||
| Umbridge Spoils a Beautiful Morning | Nicholas Hooper | G Minor | 1 | 6A | 61 BPM | ||
| Tony and Joe | Joseph Trapanese | F Major | 1 | 7B | 75 BPM | ||
| Emancipation | The Chamber Orchestra Of London | E Minor | 2 | 9A | 149 BPM | ||
| To Die For Love - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas, Jonathan Snowdon, Robert Hill, Richard Morgan | D Minor | 0 | 7A | 73 BPM | ||
| I Don't Want To Be A Princess - Score | John Debney | C Major | 1 | 8B | 153 BPM | ||
| Daniel and the Kids | Howard Shore | C Major | 1 | 8B | 120 BPM | ||
| We Can Try | Theodore Shapiro | C Major | 0 | 8B | 84 BPM | ||
| Enola & Tewkesbury Farewell | Daniel Pemberton | C Major | 2 | 8B | 103 BPM | ||
| Buyer's Remorse | Christophe Beck | D Major | 1 | 10B | 178 BPM | ||
| Home To A Welcome Village | Randy Edelman | E Major | 2 | 12B | 176 BPM | ||
| Never Give Up | Geoff Zanelli | C Major | 1 | 8B | 112 BPM | ||
| Secret Toast And Jam | Patrick Doyle | C Major | 0 | 8B | 85 BPM | ||
| Baby Alessandra | Christophe Beck | F Major | 1 | 7B | 102 BPM |