Peer Gynt Suite No.1, Op.46: ペール・ギュントの朝
Edvard Grieg, ウィリアム・ジョーンズ, コンセル・ソンドール
人気クラシック名曲50選! モーツァルト、ベートーベン、バッハ等の有名曲を厳選!
2:57 August 19, 2015
BPM
182
Key
E Major
Camelot
12B

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Peer Gynt Suite No.1, Op.46: ペール・ギュントの朝 by Edvard Grieg, ウィリアム・ジョーンズ, コンセル・ソンドール Song Details

"Peer Gynt Suite No.1, Op.46: ペール・ギュントの朝" by Edvard Grieg, ウィリアム・ジョーンズ, コンセル・ソンドール had its release date on August 19, 2015. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Peer Gynt Suite No.1, Op.46: ペール・ギュントの朝's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 人気クラシック名曲50選! モーツァルト、ベートーベン、バッハ等の有名曲を厳選!, so we believe that "Peer Gynt Suite No.1, Op.46: ペール・ギュントの朝" is a single. The popularity of Peer Gynt Suite No.1, Op.46: ペール・ギュントの朝 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Peer Gynt Suite No.1, Op.46: ペール・ギュントの朝 by Edvard Grieg, ウィリアム・ジョーンズ, コンセル・ソンドール is Presto (very, very fast), since this song has a tempo of 182 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.

Music Key

E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-18.313 dB
Acousticness
96%
Danceability
12%
Energy
9%
Instrumentalness
90%
Liveness
14%
Loudness
69%
Speechiness
5%
Valence
4%

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ISRC
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Label
L-M Records/RCA Records