"Peer Gynt Suite No.1, Op.46: ペール・ギュントの朝" by Edvard Grieg, ウィリアム・ジョーンズ, コンセル・ソンドール had its release date on August 19, 2015. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Peer Gynt Suite No.1, Op.46: ペール・ギュントの朝's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 人気クラシック名曲50選! モーツァルト、ベートーベン、バッハ等の有名曲を厳選!, so we believe that "Peer Gynt Suite No.1, Op.46: ペール・ギュントの朝" is a single. The popularity of Peer Gynt Suite No.1, Op.46: ペール・ギュントの朝 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peer Gynt Suite No.1, Op.46: ペール・ギュントの朝 by Edvard Grieg, ウィリアム・ジョーンズ, コンセル・ソンドール is Presto (very, very fast), since this song has a tempo of 182 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
| Le tombeau de Couperin: 3. Menuet (version for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | A Major | 1 | 11B | 107 BPM | ||
| 4 Pieces, Op. 51: No. 1, Fragilité. Allegretto | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 69 BPM | ||
| Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | B♭ Major | 0 | 6B | 72 BPM | ||
| 4 Lieder, Op. 27, TrV 170: IV. Morgen! (Arr. for Cello and Piano by Julian Riem) | Richard Strauss, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 174 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| Souvenir de Florence, Op. 70: I. Allegro con spirito | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D♭ Major | 1 | 3B | 82 BPM | ||
| 3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. Åse's Death | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | G Major | 0 | 9B | 99 BPM | ||
| Hjertets melodier (Melodies of the Heart), Op. 5: No. 3. Jeg elsker dig (I Love but Thee) (arr. H. Kraggerud): I Love Only You, Op. 5, No. 3 | Henning Kraggerud, Edvard Grieg, Razumovsky Symphony Orchestra, Bjarte Engeset | A Minor | 0 | 8A | 86 BPM | ||
| Nocturne, Op.54, No.4 | Edvard Grieg, Mikhail Pletnev | G Major | 0 | 9B | 78 BPM | ||
| 5 Pieces for Violin and Piano: I. Elegia. Andante larghetto | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
| Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
| Rachmaninov: Scherzo in D Minor | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | D Minor | 1 | 7A | 109 BPM | ||
| 4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
| Over the Mountains High (Arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | D Minor | 1 | 7A | 100 BPM | ||
| Dvorák / Transc. Lenaerts: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Anneleen Lenaerts | F♯ Major | 0 | 2B | 168 BPM | ||
| Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
| Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
| Chanson de matin | Edward Elgar, Britten Sinfonia, Nicholas Cleobury | G Major | 2 | 9B | 171 BPM | ||
| Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen) | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | B Major | 1 | 1B | 113 BPM | ||
| Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| Nocturne No. 2 in C Minor, H. 25 | John Field, Benjamin Frith | C Minor | 0 | 5A | 98 BPM |