RE's ' "D-Boy" was released on its scheduled release date, January 1, 2007. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 19 in Comin' Down Hard by RE. The popularity of D-Boy is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of D-Boy by RE is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Put Yourself In Care | Hipslinky | F Major | 6 | 7B | 145 BPM | ||
| Like Soldiers Do - David Jensen Session, 22nd December 1983 | Billy Bragg | C Major | 4 | 8B | 79 BPM | ||
| Fall Apart | The Rifles | D Major | 3 | 10B | 100 BPM | ||
| The Crystal Ship | Robyn Hitchcock | B Minor | 2 | 10A | 188 BPM | ||
| Marking Your Time | Bill Janovitz | D Major | 3 | 10B | 100 BPM | ||
| Perfect Love (1980) | David S McCormack | D Major | 3 | 10B | 136 BPM | ||
| I'll Never Forgive You | Steve Knightley, Philip Henry, Track Dogs, Matt Clifford, Johnny Kalsi, Phil Beer, The Lost Sound Chorus, Ross Wilson, Mark Tucker | F Minor | 4 | 4A | 116 BPM | ||
| God in His mercy | mister moore | D Major | 3 | 10B | 100 BPM | ||
| Octa or Infinity | Johnny Reed | E Major | 3 | 12B | 109 BPM | ||
| Ditë e re | il Coro Dite, RE, Enzo Filardi | D Major | 7 | 10B | 170 BPM | ||
| Take It or Leave It | Charlie White | E Major | 4 | 12B | 154 BPM | ||
| Working Man's Cafe | Ray Davies | D Major | 3 | 10B | 78 BPM | ||
| In the Cold Light of Day | John Peter and His Collaborators | F Major | 4 | 7B | 96 BPM | ||
| Swing Low | Sunhouse | G Minor | 3 | 6A | 81 BPM | ||
| One Night in Manchester | Charlie White | D Major | 3 | 10B | 149 BPM | ||
| Truth Will Out (Ballad of Melissa and Remy) | Chuck Prophet | F Major | 9 | 7B | 124 BPM | ||
| Distant Star | Bagwell & Troy | A Minor | 4 | 8A | 89 BPM | ||
| Too Late (N.V.) | Alexander Voell | D♭ Minor | 0 | 12A | 90 BPM | ||
| Cain & Able | Interference | C Major | 4 | 8B | 126 BPM | ||
| The Shame | Levellers | E Major | 3 | 12B | 117 BPM | ||
| sweet baby | steve moore twelve | D Major | 3 | 10B | 100 BPM | ||
| we don't have to shout to be heard | mister wulf | A Minor | 1 | 8A | 75 BPM | ||
| Gods and Monsters | I Am Kloot | D♭ Minor | 8 | 12A | 107 BPM | ||
| I Was Looking For Someone | Interference | G Major | 3 | 9B | 147 BPM | ||
| Get Pipe | Lil Quay, RE | D♭ Major | 5 | 3B | 140 BPM |