Guillaume Dufay, Julyo's ' "Ce Jour" was released on its scheduled release date, August 19, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 63 in the song's album "Time Machine: The Renaissance". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Ce Jour is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ce Jour by Guillaume Dufay, Julyo having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Solfing Song | Thomas Tallis, The Rose Consort Of Viols | E Major | 0 | 12B | 96 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| Messe vidi turbam magnam: No. 3, Gloria | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 100 BPM | ||
| In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
| Ave corpus sanctum | Marchetto Padova, La Reverdie | A Minor | 0 | 8A | 77 BPM | ||
| Canzoni overo sonate concertate per chiesa e camera, Op. 12: No. 19, Ballo detto Eccardo | Tarquinio Merula, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Minor | 2 | 3A | 159 BPM | ||
| Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Three Feminine Portraits - Lady Hunsdon's Allemande | Hopkinson Smith, John Dowland | B♭ Major | 2 | 6B | 80 BPM | ||
| Tarantela por primer tono | Juan de Araujo, Ensemble Villancico, Peter Pontvik | F♯ Major | 2 | 2B | 72 BPM | ||
| Echo la primavera | Francesco Landini, Anonymous 4 | F Major | 0 | 7B | 85 BPM | ||
| Plainchant for Vespers I (Recollectio festorum beate Marie virginis): Antiphon: Tenebre diffugiunt/Psalm 112: Laudate pueri Dominum | Guillaume Dufay, Kurt-Owen Richards, Mark Duer, Jeffrey Johnson, Peter Stewart, Alexander Blachly | D Major | 0 | 10B | 101 BPM | ||
| Par droit je puis bien complaindre et gemir | Guillaume Dufay, Ensemble Gilles Binchois, Dominique Vellard | F Major | 1 | 7B | 171 BPM | ||
| Si habrá en este baldrés? | Juan del Encina, Piffaro | D Minor | 3 | 7A | 118 BPM | ||
| Danserye: Ronde: Il estoit une filette | Tylman Susato, Joculatores Upsalienses | F Major | 2 | 7B | 123 BPM | ||
| Dos estrellas le siguen | Manuel Machado, Gérard Lesne | G Minor | 2 | 6A | 115 BPM | ||
| Saltarello | Joan Ambrosio Dalza, Ronn McFarlane, Mark Cudek | D♭ Major | 1 | 3B | 128 BPM | ||
| Dansereye (1551): Den I Ronde 'Pour Quoy' | Tylman Susato, New London Consort, Philip Pickett | G Minor | 0 | 6A | 65 BPM | ||
| Prima die Lectio prima: IV. Beth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 0 | 11A | 86 BPM | ||
| The Earle of Essex Galiard | John Dowland, Nigel North, Les Voix Humaines | E Minor | 2 | 9A | 101 BPM | ||
| Plainchant for Vespers I (Recollectio festorum beate Marie virginis): Responsorium: Surge propera, columba mea | Guillaume Dufay, Kurt-Owen Richards, Mark Duer, Peter Stewart, Jeffrey Johnson, Alexander Blachly | E Major | 0 | 12B | 134 BPM | ||
| Joyne Hands | Thomas Morley, Baltimore Consort | C Major | 1 | 8B | 126 BPM | ||
| Lamentatio Sanctae Matris | Byzantine Renaissance, Tasos Aloupis, Greek Music Archive, Guillaume Dufay | D Major | 2 | 10B | 96 BPM | ||
| Si mon amour | Jacob Clemens non Papa, Harmonia Recorder Ensemble | C Major | 0 | 8B | 79 BPM | ||
| In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
| Messe de Notre Dame: Kyrie | Guillaume de Machaut, Amarcord | D Major | 2 | 10B | 79 BPM |