Kathy Mattea's 'What Could Have Been' had a release date set for January 1, 1991. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Time Passes By". In this album, this song's track order is #3. In terms of popularity, What Could Have Been is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With What Could Have Been by Kathy Mattea having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One Promise Too Late | Reba McEntire | C Major | 3 | 8B | 79 BPM | ||
| A Few Good Things Remain | Kathy Mattea | B♭ Major | 2 | 6B | 91 BPM | ||
| Norma Jean Riley | Diamond Rio | G Major | 6 | 9B | 91 BPM | ||
| Girls Night Out | The Judds | B Major | 7 | 1B | 188 BPM | ||
| Cafe On The Corner | Sawyer Brown | C Major | 5 | 8B | 92 BPM | ||
| Sentimental Ol' You | Charly McClain | A Major | 4 | 11B | 111 BPM | ||
| Next To You, Next To Me | Shenandoah | A♭ Major | 7 | 4B | 189 BPM | ||
| Now That's All Right with Me | Mandy Barnett | D♭ Major | 7 | 3B | 120 BPM | ||
| Walking Away A Winner | Kathy Mattea | A♭ Major | 6 | 4B | 123 BPM | ||
| Feed Jake | Pirates Of The Mississippi | E Major | 2 | 12B | 202 BPM | ||
| Every Once In a While | BlackHawk | E Major | 7 | 12B | 117 BPM | ||
| Only The Wind | Billy Dean | D♭ Major | 3 | 3B | 76 BPM | ||
| Straight Tequila Night | John Anderson | A Major | 6 | 11B | 109 BPM | ||
| I'll Get Over You - Remastered | Crystal Gayle | A♭ Major | 3 | 4B | 110 BPM | ||
| Satin Sheets | Jeanne Pruett | D Major | 3 | 10B | 99 BPM | ||
| Crazy Blue Eyes | Lacy J. Dalton | G Major | 3 | 9B | 125 BPM | ||
| Eighteen Wheels And A Dozen Roses | Kathy Mattea | A♭ Major | 6 | 4B | 139 BPM | ||
| Life As We Knew It | Kathy Mattea | D Major | 2 | 10B | 100 BPM | ||
| Maybe I Mean Yes | Holly Dunn | B♭ Major | 7 | 6B | 178 BPM | ||
| Somewhere In The Vicinity Of The Heart | Shenandoah | E Major | 4 | 12B | 95 BPM | ||
| Dancing Your Memory Away | Charly McClain | D Major | 2 | 10B | 131 BPM | ||
| Flight 309 to Tennessee | Shelly West | A♭ Major | 6 | 4B | 142 BPM | ||
| Late In The Day | Kathy Mattea | G Major | 2 | 9B | 109 BPM | ||
| Peaceful Easy Feeling | Little Texas | E Major | 8 | 12B | 143 BPM | ||
| Billy The Kid | Billy Dean | D Major | 6 | 10B | 169 BPM |