On July 19, 1991, the song "Maybe I Mean Yes" was released by Holly Dunn. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Maybe I Mean Yes's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Holly Dunn's "Milestones- Greatest Hits" album is number 7 out of 11. On top of that, United States appears to be the country where this track was created. The popularity of Maybe I Mean Yes is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Maybe I Mean Yes by Holly Dunn to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lucky In Love | Sherrié Austin | D Major | 9 | 10B | 122 BPM | ||
| Younger Men | K.T. Oslin | G Major | 6 | 9B | 135 BPM | ||
| They Always Look Better When They're Leavin' | Becky Hobbs | D♭ Major | 6 | 3B | 169 BPM | ||
| Sentimental Ol' You | Charly McClain | A Major | 4 | 11B | 111 BPM | ||
| Hillbilly Girl with the Blues | Lacy J. Dalton | B Major | 5 | 1B | 131 BPM | ||
| Hillbilly Hell | The Bellamy Brothers | D Major | 6 | 10B | 88 BPM | ||
| On The Road | Lee Roy Parnell | A♭ Major | 6 | 4B | 123 BPM | ||
| Baby Don't You Know | Mandy Barnett | C Major | 5 | 8B | 143 BPM | ||
| She's Still In Dallas | Hal Ketchum | E Major | 9 | 12B | 144 BPM | ||
| Why Lady Why | Gary Morris | B♭ Major | 5 | 6B | 136 BPM | ||
| You've Taken Me Places I Wish I've Never Been | Heather Myles | A Major | 8 | 11B | 160 BPM | ||
| Here Today And Gone Tomorrow | The Kendalls | D Major | 3 | 10B | 172 BPM | ||
| Heaven's Just A Sin Away | The Kendalls | F♯ Major | 6 | 2B | 153 BPM | ||
| Feelin' Single And Seein' Double | Chely Wright | D♭ Major | 8 | 3B | 164 BPM | ||
| The Door Is Always Open | Dave and Sugar | F Major | 5 | 7B | 188 BPM | ||
| Til I'm Too Old To Die Young | Moe Bandy | E♭ Major | 3 | 5B | 84 BPM | ||
| Don't Cry For Me | Becky Hobbs | B♭ Major | 5 | 6B | 119 BPM | ||
| The Cowboy's Mine | Joey Feek | G Major | 9 | 9B | 96 BPM | ||
| Everything That Glitters (Is Not Gold) | Dan Seals | E Major | 3 | 12B | 112 BPM | ||
| She's Got A Mind Of Her Own | James Bonamy | F Major | 7 | 7B | 135 BPM | ||
| Hello Walls | David Kersh | F Major | 9 | 7B | 158 BPM | ||
| Who, What, Where, When, How, Why | Martin Delray | B Major | 6 | 1B | 106 BPM | ||
| I Don't Feel That Way Anymore | Danni Leigh | B♭ Major | 7 | 6B | 77 BPM | ||
| Cafe On The Corner | Sawyer Brown | C Major | 5 | 8B | 92 BPM | ||
| Stop on a Dime | Little Texas | D Major | 9 | 10B | 125 BPM |