On 1983, the song "Why Lady Why" was released by Gary Morris. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Why Lady Why's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Why Lady Why by Gary Morris. The song's track number on the album is #4 out of 10 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Why Lady Why's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Why Lady Why by Gary Morris has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Why Lady Why being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maybe I Mean Yes | Holly Dunn | B♭ Major | 7 | 6B | 178 BPM | ||
| I'll Never Stop Loving You | Gary Morris | C Major | 4 | 8B | 105 BPM | ||
| Paradise Tonight | Mickey Gilley, Charly McClain | A♭ Major | 7 | 4B | 207 BPM | ||
| All of This and More | Crystal Gayle, Gary Morris | D Major | 5 | 10B | 204 BPM | ||
| All I Have To Offer You Is Me | McBride & The Ride | A♭ Major | 3 | 4B | 95 BPM | ||
| You'e the Reason God Made Oklahoma | David Frizzell, Shelly West | A Major | 4 | 11B | 97 BPM | ||
| Let Go | Brother Phelps | G Major | 6 | 9B | 144 BPM | ||
| She's Comin' Back To Say Goodbye | Eddie Rabbitt | C Major | 4 | 8B | 206 BPM | ||
| Letter Home | The Forester Sisters | B♭ Major | 4 | 6B | 136 BPM | ||
| Cry Just A Little Bit | Sylvia | C Major | 6 | 8B | 126 BPM | ||
| I Can Tell by the Way You Dance (You're Gonna Love Me Tonight) | Vern Gosdin | E Major | 6 | 12B | 110 BPM | ||
| Second Hand Heart | Gary Morris | E Major | 3 | 12B | 79 BPM | ||
| Down To My Last Teardrop | Tanya Tucker | E Major | 7 | 12B | 113 BPM | ||
| Working Man | John Conlee | C Major | 4 | 8B | 127 BPM | ||
| Love Won’t Let Me Quit | Crystal Gayle, Gary Morris | B♭ Major | 3 | 6B | 116 BPM | ||
| This Time | Sawyer Brown | D♭ Major | 8 | 3B | 167 BPM | ||
| Born To Love You | Mark Collie | G Major | 6 | 9B | 108 BPM | ||
| Tore Up from The Floor Up | Wade Hayes | A Major | 9 | 11B | 172 BPM | ||
| Anybody Else's Heart But Mine | Terri Gibbs | A♭ Major | 6 | 4B | 91 BPM | ||
| Honky Tonk Crowd | Rick Trevino | D♭ Major | 8 | 3B | 149 BPM | ||
| It Keeps Right on A-Hurtin' | Billy Joe Royal | B♭ Major | 3 | 6B | 112 BPM | ||
| Nothing Sure Looked Good On You | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
| (Wish I Had A) Heart of Stone | Baillie & The Boys | D Minor | 4 | 7A | 119 BPM | ||
| Leap of Faith | Lionel Cartwright | F Major | 4 | 7B | 112 BPM | ||
| I Fell in Love Again Last Night | The Forester Sisters | D♭ Major | 5 | 3B | 107 BPM |