John Beasley's ' "Beehave Yourself" was released on its scheduled release date, July 1, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Cauldron by John Beasley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Beehave Yourself is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Beehave Yourself by John Beasley is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amanda Kendall | John Lunn | D♭ Minor | 3 | 12A | 102 BPM | ||
| Commonwealth | Martin Phipps | D♭ Minor | 3 | 12A | 117 BPM | ||
| Epistrophy | John Beasley | F♯ Minor | 5 | 11A | 104 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil, Kristjan Järvi, MDR Leipzig Radio Symphony Orchestra | C Major | 1 | 8B | 103 BPM | ||
| Seven Layers | John Beasley, Robert Hurst, Vinnie Colaiuta | F Major | 3 | 7B | 96 BPM | ||
| The Duchess | Rachel Portman | G Major | 2 | 9B | 116 BPM | ||
| Destiny, Fire, War | A.R. Rahman | D Major | 5 | 10B | 139 BPM | ||
| Sagana | Rupert Gregson-Williams | D Minor | 0 | 7A | 120 BPM | ||
| Há Uma Música do Povo | Maria Mendes, John Beasley, Metropole Orkest | D Minor | 3 | 7A | 107 BPM | ||
| Meet the IMF | Joe Kraemer | A Minor | 1 | 8A | 90 BPM | ||
| The Far Side of the World | Iva Davies, Richard Tognetti, Christopher Gordon | C Major | 3 | 8B | 132 BPM | ||
| Bloody Christmas - From "L.A. Confidential" | Jerry Goldsmith | D♭ Major | 3 | 3B | 98 BPM | ||
| Shenzou | Steven Price | D♭ Minor | 5 | 12A | 121 BPM | ||
| Will You Still Love Me Tomorrow (feat. Chris Potter, Marvin “Smitty” Smith, Alex Acuña & John Beasley) | Andy James, John Patitucci, Chris Potter, Marvin Smitty Smith, Alex Acuña, John Beasley | D♭ Minor | 6 | 12A | 120 BPM | ||
| Above Earth | Steven Price | G Minor | 1 | 6A | 87 BPM | ||
| Little Rootie Tootie | John Beasley | D♭ Major | 5 | 3B | 134 BPM | ||
| Rebecca | Ingo Ludwig Frenzel | F Major | 0 | 7B | 71 BPM | ||
| Vice - Main Title Orchestra Suite | Nicholas Britell | D♭ Major | 6 | 3B | 105 BPM | ||
| The War Rooms | Dario Marianelli, Víkingur Ólafsson | A♭ Major | 2 | 4B | 103 BPM | ||
| Quantum of Solace: A Night at the Opera | Royal Philharmonic Orchestra | A Minor | 1 | 8A | 89 BPM | ||
| Con Un Toque De Cueca | Moraga South American Jazz, Bob Mintzer, John Beasley | D♭ Major | 5 | 3B | 120 BPM | ||
| I Am The Clock (12 Monkeys Suite) | Trevor Rabin, Paul Linford | D Minor | 3 | 7A | 145 BPM | ||
| Life Cycles | Hubert Laws, David Carpenter, David Budway, Rob Mullins, Harvey Mason, Tony Lewis, Peter Erskine, Dean Parks, John Patatucci, Eloise Laws, John Beasley | D Minor | 4 | 7A | 94 BPM | ||
| Monk's Processional (Medley) | John Beasley | F Major | 5 | 7B | 81 BPM | ||
| The Smithsonian | Henry Jackman | F Major | 0 | 7B | 112 BPM |