"Commonwealth" by Martin Phipps had its release date on November 20, 2020. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "The Crown: Season Four (Soundtrack from the Netflix Original Series)". In this album, this song's track order is #8. In terms of popularity, Commonwealth is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Commonwealth by Martin Phipps having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Far from the Madding Crowd Love Theme | Craig Armstrong | A Minor | 3 | 8A | 87 BPM | ||
| Prism Ascension | Cosmic Drift | C Major | 2 | 8B | 120 BPM | ||
| 24 Hr. Deadline | W.G. Snuffy Walden | B Major | 2 | 1B | 111 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| No Ball Games (Original Motion Picture Soundtrack) | Patrick Jonsson | C Minor | 1 | 5A | 79 BPM | ||
| You Moved! | David Hirschfelder | B♭ Major | 2 | 6B | 92 BPM | ||
| Don't Stare At The Stars Too Long | Peter Gregson | D Major | 2 | 10B | 83 BPM | ||
| Adventures of a London Gentleman | Christopher Willis | E Major | 3 | 12B | 125 BPM | ||
| Zoe's First Close-Up | Jeff Beal | C Minor | 1 | 5A | 137 BPM | ||
| Anakin and Padmé | Kevin Kiner | G Minor | 2 | 6A | 81 BPM | ||
| Brianna and Roger Theme | Bear McCreary | A Minor | 1 | 8A | 128 BPM | ||
| Mary's Decision | Amelia Warner | D Minor | 1 | 7A | 68 BPM | ||
| All Lit Up | Craig Armstrong | G Major | 1 | 9B | 140 BPM | ||
| Transcendence | Thomas Farnon | E♭ Major | 0 | 5B | 173 BPM | ||
| On the Road | Jay Wadley | A Major | 0 | 11B | 138 BPM | ||
| Descent | Stephen Rennicks | G Minor | 1 | 6A | 114 BPM | ||
| Infirmary | Bear McCreary | D Major | 2 | 10B | 122 BPM | ||
| Voices (Remix) | Martin Phipps, The Chamber Orchestra Of London | C Minor | 1 | 5A | 166 BPM | ||
| Tristia für Streichorchester | Johannes Motschmann, NDR Radiophilharmonie, Ben Palmer | B♭ Minor | 1 | 3A | 107 BPM | ||
| Locomotives | Ruth Barrett | A♭ Minor | 4 | 1A | 94 BPM | ||
| A Life Well Written | Christopher Willis | C Major | 3 | 8B | 91 BPM | ||
| Esther Takes the Reins | Ruth Barrett | B♭ Minor | 4 | 3A | 179 BPM | ||
| Blood On White | Martin Phipps, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 142 BPM | ||
| Miserable Together, Happy Apart | Kris Bowers | C Minor | 1 | 5A | 119 BPM | ||
| Betrayal within | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | C Major | 2 | 8B | 127 BPM |