"Tristia für Streichorchester" by Johannes Motschmann, NDR Radiophilharmonie, Ben Palmer had its release date on June 12, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Tristia für Streichorchester only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. In terms of popularity, Tristia für Streichorchester is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tristia für Streichorchester by Johannes Motschmann, NDR Radiophilharmonie, Ben Palmer having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Faded | Cedric Vermue | F Minor | 0 | 4A | 110 BPM | ||
| Drifting Circles | Anne Müller | G Major | 3 | 9B | 138 BPM | ||
| Steps | Otto A. Totland | A♭ Minor | 1 | 1A | 172 BPM | ||
| Behind Those Eyes | Roberto Attanasio | B Major | 1 | 1B | 180 BPM | ||
| Love and Glory | Ólafur Arnalds, Nils Frahm | B Major | 1 | 1B | 125 BPM | ||
| Earthly Heaven | Rachel Grimes | A Minor | 2 | 8A | 125 BPM | ||
| Promenade No. 2 | Luca Longobardi | C Major | 0 | 8B | 78 BPM | ||
| Palemote | Slow Meadow | A Major | 2 | 11B | 78 BPM | ||
| If You Came Here To Live (In Memory Of Mary Skinner) | Alex Kozobolis | A♭ Minor | 1 | 1A | 64 BPM | ||
| Subtle Moves | Dmitry Evgrafov | A♭ Major | 0 | 4B | 102 BPM | ||
| Prélude, Op. 11 No. 21 in B-Flat Major | Alexander Scriabin, Johannes Motschmann | D Minor | 2 | 7A | 68 BPM | ||
| dark tree | Carlos Cipa | C Minor | 1 | 5A | 119 BPM | ||
| Residue | Luca Longobardi | C Minor | 2 | 5A | 152 BPM | ||
| Late | Nils Frahm | G Minor | 0 | 6A | 110 BPM | ||
| Carousel #3 | Federico Albanese | G Minor | 0 | 6A | 116 BPM | ||
| Glassworks: I. Opening | Signal, Michael Riesman | E♭ Major | 0 | 5B | 138 BPM | ||
| Cor de Nuit | Johannes Motschmann | D Minor | 0 | 7A | 79 BPM | ||
| Immerge - Ceeys Rework | Kerim König, Ceeys | B♭ Major | 4 | 6B | 171 BPM | ||
| D 92 8:50 P.M | Jim Perkins, Leah Kardos | D Major | 2 | 10B | 92 BPM | ||
| Like Foam | Dmitry Evgrafov | E Minor | 2 | 9A | 146 BPM | ||
| Thought and Thinker | Nathan Shubert | C Major | 1 | 8B | 77 BPM | ||
| Continuum I | Jane Antonia Cornish, Decoda | F♯ Minor | 1 | 11A | 90 BPM | ||
| As I Was - Slow Meadow Rework | Olivia Belli, Slow Meadow | G Major | 1 | 9B | 91 BPM | ||
| Doll | Bruno Sanfilippo | D♭ Major | 1 | 3B | 135 BPM | ||
| All In Circles | Shida Shahabi | A♭ Major | 1 | 4B | 146 BPM |