"Postlude 7" by Elliot Cole, Blow Up Roma Percussion had its release date on June 8, 2020. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Postlude 7's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 14 in Elliot Cole : Percussion Music by Elliot Cole, Blow Up Roma Percussion. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Postlude 7 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Postlude 7 by Elliot Cole, Blow Up Roma Percussion is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Garden We Forgot | Woonai | D Major | 0 | 10B | 71 BPM | ||
| Ides of March | Taras | A Major | 1 | 11B | 87 BPM | ||
| Bardo 3 - Maiden | Peter Gregson, Echo Collective | E♭ Major | 2 | 5B | 139 BPM | ||
| Love Abounds In Everything | Clarice Jensen, Mari Samuelsen, American Contemporary Music Ensemble | C Minor | 5 | 5A | 122 BPM | ||
| The Garden | Michel Banabila | B♭ Major | 1 | 6B | 124 BPM | ||
| Five Easy Pieces: I. Prelude | Elliot Cole, David Kaplan | E Major | 1 | 12B | 138 BPM | ||
| Stillness | Hilary Hahn, Hauschka | A Major | 0 | 11B | 75 BPM | ||
| Isolation | Vetle Nærø | F♯ Minor | 0 | 11A | 170 BPM | ||
| Aarhus / Reminiscences | Anne Müller | C Minor | 1 | 5A | 120 BPM | ||
| Harmonic Resonance of 432 Vibrations | Sinta Positivo | A Major | 1 | 11B | 87 BPM | ||
| we overflow the streets and squares like the sea in a spring tide... and that very instant the tyrants of the Earth shall bite the dust | Tashi Dorji | A Major | 1 | 11B | 87 BPM | ||
| Miniature No. 1 | Jette Mogensen | A Minor | 0 | 8A | 69 BPM | ||
| Sycamore Trees | Jamie Saft | A Major | 1 | 11B | 87 BPM | ||
| Moon Shadows | Aloen Viss | E Major | 3 | 12B | 172 BPM | ||
| Ashes | Hilary Hahn, Hauschka | D♭ Minor | 1 | 12A | 128 BPM | ||
| Bloom I | Elliot Cole, Elliot Cooper Cole | F♯ Major | 1 | 2B | 134 BPM | ||
| Memory | Itanen | E Minor | 2 | 9A | 105 BPM | ||
| dawn through pines | drmctchr | D♭ Major | 0 | 3B | 69 BPM | ||
| Forgotten | Abay Torck | D Major | 0 | 10B | 166 BPM | ||
| Movement 7 - Pt. 2 | Erland Cooper, Daniel Pioro | C Major | 1 | 8B | 103 BPM | ||
| A Sad Tale's Best for Winter | Damian Scholl | A Minor | 1 | 8A | 112 BPM | ||
| Six Pieces for Solo Violin: II. Arpeggio | Sophia Jani, Teresa Allgaier | E Minor | 1 | 9A | 117 BPM | ||
| Dove sei, madre | Fabio Massimo Capogrosso | E Major | 1 | 12B | 68 BPM | ||
| Ode to Arvo | Carolyn Barela | D Minor | 3 | 7A | 80 BPM | ||
| The Wind in High Places: I. Above Sunset Pass | John Luther Adams, JACK Quartet | F Minor | 0 | 4A | 101 BPM |