"Concerto For 2 Pianos And Orchestra In D Minor: 2. Larghetto - Live" by Francis Poulenc, Martha Argerich, Alexander Gurning, Orchestra della Svizzera Italiana, Erasmo Capilla had its release date on January 1, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Martha Argerich's "Martha Argerich - Lugano Concertos" album is number 5 out of 56. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Concerto For 2 Pianos And Orchestra In D Minor: 2. Larghetto - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto For 2 Pianos And Orchestra In D Minor: 2. Larghetto - Live by Francis Poulenc, Martha Argerich, Alexander Gurning, Orchestra della Svizzera Italiana, Erasmo Capilla to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
| Adagio in E-Flat Major | Fanny Mendelssohn, Heather Schmidt | E♭ Minor | 0 | 2A | 90 BPM | ||
| Orfeo ed Euridice, Wq. 30: Ballet des ombres heureuses (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 128 BPM | ||
| Rachmaninov: 6 Moments musicaux, Op. 16: No. 1 in B-Flat Minor | Sergei Rachmaninoff, Nikolai Lugansky | E♭ Minor | 0 | 2A | 63 BPM | ||
| 12 Songs, Op. 21: IX. Melody (Transcr. Volodos for Piano) | Sergei Rachmaninoff, Sergei Babayan | B♭ Major | 0 | 6B | 67 BPM | ||
| Piano Concerto No. 1 in F-Sharp Minor, Op. 1: II. Andante | Sergei Rachmaninoff, Vladimir Ashkenazy, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 0 | 11B | 69 BPM | ||
| Lyric Pieces: Melodie / Melody, Op. 47, 3 | Edvard Grieg, Heidi Kommerell | D♭ Minor | 1 | 12A | 73 BPM | ||
| Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
| Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia | Ottorino Respighi, Konstantin Scherbakov | G Minor | 2 | 6A | 96 BPM | ||
| 24 Preludes, Op. 11: No. 15 in D-Flat Major | Alexander Scriabin, Evgeny Zarafiants | D♭ Major | 0 | 3B | 70 BPM | ||
| Le tombeau de Couperin: V. Menuet. Allegretto moderato (Arr. Z. Kocsis for orchestra) | Maurice Ravel, Hungarian National Philharmonic, Zoltán Kocsis | E Minor | 0 | 9A | 86 BPM | ||
| Sonate pour flûte et piano, Op. 64: IV. Finale. Moderato - Grazioso | Mel Bonis, Mathilde Calderini, Aurèle Marthan | D♭ Minor | 2 | 12A | 111 BPM | ||
| Cello Sonata, FP 143: I. Allegro. Tempo di marcia | Francis Poulenc, Jean-Guihen Queyras, Alexandre Tharaud | A♭ Major | 1 | 4B | 131 BPM | ||
| Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
| 4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 0 | 9B | 99 BPM | ||
| Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
| Adoration (Arr. Gray for Violin & Orchestra) | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | D Major | 3 | 10B | 74 BPM | ||
| Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 60 BPM | ||
| Love's Labour's Lost, Op. 28a: I. The King's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | C Minor | 0 | 5A | 86 BPM | ||
| Mouvements perpétuels, n°2 très modéré | Francis Poulenc, Alexandre Tharaud | D Minor | 0 | 7A | 74 BPM | ||
| 13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
| Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
| Menuet antique, M. 7 (Version for Orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | D♭ Minor | 0 | 12A | 73 BPM | ||
| Allegro molto agitato in D Minor | Fanny Mendelssohn, Heather Schmidt | D Major | 1 | 10B | 111 BPM | ||
| I. Prélude. Andantino | César Franck, Jean-Pierre Armengaud | D Major | 0 | 10B | 66 BPM |