Rajeev Raj Aditya's ' "Mishree Se Bhi Jyada" was released on its scheduled release date, February 21, 2012. This song is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The track order of this song in Rajeev Raj Aditya, Suresh Wadkar's "Mere Sai Baba" album is number 8 out of 11. On top of that, India appears to be the country where this track was created. Based on our statistics, Mishree Se Bhi Jyada's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mishree Se Bhi Jyada by Rajeev Raj Aditya to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Palna | Chhagan Chougule | G Major | 5 | 9B | 133 BPM | ||
| Khuda Aye Pak Ki Rehmat Kahar Hai Beti | Tahir Chishti | F Major | 9 | 7B | 102 BPM | ||
| Chanda Baadal Mein Chhup Jaye | Rekha Rao, Parmeshwar Premi | D♭ Major | 7 | 3B | 84 BPM | ||
| Mor Nav Ke Godana Godale | Ratan Sabiha | F♯ Major | 7 | 2B | 133 BPM | ||
| Girdhar Ki Bansi Pyari Ji | Vandana Bhardwaj | E Major | 9 | 12B | 130 BPM | ||
| Tu Jine Marzi Dukh De Le | Sadhvi Purnima | A♭ Minor | 5 | 1A | 96 BPM | ||
| Hum Bhi Chup Aur | Arzoo Bano | E Minor | 3 | 9A | 110 BPM | ||
| Aata Rahunga Dar Pe Tumhare | Rajni Rajasthani | D♭ Major | 6 | 3B | 125 BPM | ||
| Jhuliya Bandhage | Dilip Shadangi | G Major | 6 | 9B | 107 BPM | ||
| Pardesi Teri Pati | Jittu Khare | A♭ Minor | 4 | 1A | 127 BPM | ||
| Aarti Mandapiya Wala Ki | Gokul Sharma | F♯ Major | 9 | 2B | 130 BPM | ||
| Mola Sapna Aathe Tor | Prem Anand Chauhan, Sarla Gandharw | B Minor | 9 | 10A | 145 BPM | ||
| Jaha Viraje Radha Rani | Kunj Bihari Das | C Major | 7 | 8B | 115 BPM | ||
| Arji Hamari Marji Tumhri | Vijay Soni | G Minor | 8 | 6A | 90 BPM | ||
| Khadi Hu Dar Mai Bhole Chadau Kya Tumhe Bhole | Chanchal Prajapati | D♭ Major | 9 | 3B | 120 BPM | ||
| Satam Ro Melo | Shyam Paliwal | F Minor | 7 | 4A | 102 BPM | ||
| Bhouji Moro Vyao Kara De | Soniya Studio, Ramrati kushwaha, mohan kushwaha | F♯ Minor | 5 | 11A | 111 BPM | ||
| Jaldi Aana | Chhaya Chandrakar, Gofelal Gendle | F♯ Major | 9 | 2B | 135 BPM | ||
| Mujhko Rama Sharan Mein Lije | Anjali Jain, Shailendra Jain | A♭ Major | 4 | 4B | 138 BPM | ||
| Gaura Gauri Paramparik Geet | Uma Sarthi, Indrani Verma | D♭ Major | 7 | 3B | 90 BPM | ||
| Sakha Sab Prem Se Bolo | Pammi Thakur | G Major | 9 | 9B | 154 BPM | ||
| Hai Rabba | Manmohan Singh | D♭ Minor | 5 | 12A | 86 BPM | ||
| Ashiqui Hum Ne Ki | Vinod Rathod, Sadhana Sargam | B Minor | 6 | 10A | 145 BPM | ||
| Dil Gaya To Gaya | Mohammed Aziz | E♭ Major | 7 | 5B | 154 BPM | ||
| Patthar Ke Sanam | Vipin Sachdeva | B♭ Major | 6 | 6B | 105 BPM |