"A Colour Field (Holocene)" by Max Richter had its release date on September 6, 2024. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. A Colour Field (Holocene)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Max Richter's "In A Landscape" album is number 3 out of 24. On top of that, United Kingdom appears to be the country where this track was created. A Colour Field (Holocene) is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of A Colour Field (Holocene) by Max Richter to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ave María (Arr. Víkingur Ólafsson) - Upright Piano | Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
| Howland | Public Service Broadcasting | G Major | 1 | 9B | 70 BPM | ||
| saman (Arr. Lawson for Saxophone & Ensemble) | Jess Gillam, Jess Gillam Ensemble | E♭ Major | 1 | 5B | 107 BPM | ||
| 32 Via San Nicolo | Max Richter, Louisa Fuller, Natalia Bonner, Robert Mc Fall, Alison Dods, John Metcalfe, Ian Burdge, Chris Worsey, Su-a Lee | C Minor | 3 | 5A | 61 BPM | ||
| Jay | Ludovico Einaudi | D Major | 0 | 10B | 112 BPM | ||
| Odi et Amo/Krókódíll (Performed on Piano) | Jóhann Jóhannsson, Alice Sara Ott | C Minor | 0 | 5A | 70 BPM | ||
| Tranquillant | Eydís Evensen | D♭ Major | 2 | 3B | 80 BPM | ||
| Lunar | Christian Badzura, Bruce Liu | F Minor | 2 | 4A | 147 BPM | ||
| Spring 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D♭ Minor | 2 | 12A | 174 BPM | ||
| Life Study VIII | Max Richter | F Minor | 1 | 4A | 99 BPM | ||
| Humming Bird Rework | Felix Rösch, mondëna quartet | F Minor | 1 | 4A | 78 BPM | ||
| Petites Vagues | Christian Badzura, Julius Asal | F♯ Minor | 0 | 11A | 71 BPM | ||
| Realisations | Jon Opstad | F Minor | 5 | 4A | 143 BPM | ||
| Cantata, BWV 150: Nach dir, Herr, verlanget mich (Arr. Ólafsson for Piano) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 89 BPM | ||
| Spiritus Naturae Aeternus - Pt. 3 | Dustin O'Halloran, Bryan Senti, Reykjavik Silfur Choir, Budapest Art Orchestra | C Major | 2 | 8B | 45 BPM | ||
| Hollywood | Stephan Moccio | D Minor | 0 | 7A | 173 BPM | ||
| Eternal | Eydís Evensen, Ari Bragi Kárason | F♯ Minor | 4 | 11A | 106 BPM | ||
| IV. Mrs Dalloway: Meeting Again | Max Richter, Louisa Fuller, Natalia Bonner, John Metcalfe, Ian Burdge, Chris Worsey | E♭ Minor | 1 | 2A | 78 BPM | ||
| Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D Major | 1 | 10B | 88 BPM | ||
| By the Roes, and by the Hinds of the Field | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | A♭ Major | 2 | 4B | 181 BPM | ||
| for Jóhann | Ryuichi Sakamoto | B Minor | 0 | 10A | 62 BPM | ||
| Sapias | Olivia Belli, Mari Samuelsen, Julien Quentin, Scoring Berlin, Jonathan Stockhammer | D Major | 1 | 10B | 106 BPM | ||
| Nocturne (Arr. for Solo Violin and Piano) | Dobrinka Tabakova, Mari Samuelsen, Julien Quentin | C Minor | 5 | 5A | 122 BPM | ||
| Obsequence | Sebastian Plano | C Major | 3 | 8B | 146 BPM | ||
| She Remembers - From “The Leftovers” | Max Richter, Mari Samuelsen, Julien Quentin, Scoring Berlin, Jonathan Stockhammer | F Major | 3 | 7B | 132 BPM |