"Rore: Missa Praeter Rerum Seriem - 15. Hosanna 2" by The Tallis Scholars, Peter Phillips had its release date on January 1, 1994. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 17 out of 24 in Cipriano De Rore - Missa Praeter Rerum Seriem. Josquin - Praeter Rerum Seriem. by The Tallis Scholars, Peter Phillips. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Rore: Missa Praeter Rerum Seriem - 15. Hosanna 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rore: Missa Praeter Rerum Seriem - 15. Hosanna 2 by The Tallis Scholars, Peter Phillips is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Agní parthéne | Nectarios of Aegina, N. Sysoeva, Alexander Manotskov, Choir of the Church of Birth of St. John the Baptist, Kamenny Island, Olga Bondarevskaya | F Minor | 1 | 4A | 121 BPM | ||
| Palestrina: Missa Assumpta Est Maria - 1a. Kyrie 1 | The Tallis Scholars, Peter Phillips | C Major | 2 | 8B | 87 BPM | ||
| Christ lag in Todesbanden, SSWV 22 | Samuel Scheidt, Vox Luminis, Lionel Meunier, Bart Jacobs | D Minor | 1 | 7A | 137 BPM | ||
| Byrd: Ne Irascaris, Domine - 1. Ne Irascaris, Domine | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 83 BPM | ||
| Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
| Jubilus rhythmicus de nomini Jesu (2) | St. Bernard von Clairvaux, Ensemble Officium, Wilfried Rombach | E♭ Major | 0 | 5B | 130 BPM | ||
| Kaiserrequiem: V. Sanctus - Beneditus - Hosanna | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | E♭ Major | 1 | 5B | 107 BPM | ||
| Sacred Concerto No. 4, "Make a joyful noise unto the Lord": II. All the earth shall worship thee | Dmitry Stepanovich Bortnyansky, State Symphony Capella of Russia, Valeri Kuzmich Polyansky | A Major | 0 | 11B | 120 BPM | ||
| The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
| Clemens: Ego flos campi | Jacob Clemens non Papa, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 82 BPM | ||
| O dolorosa gioia | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | A♭ Major | 1 | 4B | 78 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Tallis: Salvator Mundi, Salva Nos II | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 81 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
| Idiómelon from Matins for the Sunday of the Pharisee and the Publican (Arr. I. Arvanitis) | Kassianí, Alexander Lingas, Cappella Romana | F Major | 2 | 7B | 140 BPM | ||
| Virgo prudentissima | Hilaire Penet, Pomerium, Alexander Blachly | D Minor | 1 | 7A | 55 BPM | ||
| Lamentations | Antoine Brumel, Tenebrae, Nigel Short | B♭ Major | 1 | 6B | 68 BPM | ||
| Mass of the Americas: VII. Ave verum corpus | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Veni sponsa Christi, a 4 | Sebastián de Vivanco, Capilla Flamenca, Dirk Snellings | B♭ Major | 2 | 6B | 98 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| O Mensch, bewein dein Sünde gross | Caspar Othmayr, Vox Luminis, Lionel Meunier, Haru Kitamika | F Major | 1 | 7B | 95 BPM | ||
| Benedictus sis tu | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin, Marília Vargas | C Minor | 0 | 5A | 75 BPM | ||
| Stabat Mater Dolorosa à dix voix: Stabat Mater Dolorosa | Domenico Scarlatti, Ensemble William Byrd, Graham O'Reilly, Catherine Greuillet, Raphaële Kennedy, Sophie Decaudaveine, Brigitte Vinson, Pascal Bertin, Vincent Darras, Bruno Boterf, Raphaël Boulay, François Fauche, Paul Willenbrock | B Minor | 2 | 10A | 129 BPM | ||
| Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM |