Rabindranath Tagore's 'Jhulan' had a release date set for January 7, 1932. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "The Voice Of Rabindranath Tagore". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. The popularity of Jhulan is currently unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Jhulan by Rabindranath Tagore having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tomaro Oshime | Rezwana Choudhury Bannya | B♭ Major | 3 | 6B | 123 BPM | ||
| Ore Nutan Juger Bhore | Arijit Singh, Rabindranath Tagore | A♭ Major | 4 | 4B | 120 BPM | ||
| Chinigo Chini | Rafi Alam, Autumnal Moon, Rabindranath Tagore | D Major | 4 | 10B | 140 BPM | ||
| Pratidhwani Shuni | Bhupen Hazarika | F♯ Major | 4 | 2B | 104 BPM | ||
| Sanganagagane | Hemanta Mukhopadhyay | D Major | 4 | 10B | 154 BPM | ||
| Ei Chhotto Chhotto Paye | Aarti Mukherji, Pratima Banerjee | C Minor | 4 | 5A | 143 BPM | ||
| Srabaner Gaganer - Instrumental | Rabindranath Tagore | G Major | 2 | 9B | 132 BPM | ||
| Ami - Takdum Takdum Bajai | S. D. Burman | D♭ Major | 4 | 3B | 60 BPM | ||
| Doob De Re Mon | Nirmalya Roy | D♭ Major | 6 | 3B | 170 BPM | ||
| Robe Nirobe | Rafi Alam, Autumnal Moon, Rabindranath Tagore | D♭ Minor | 1 | 12A | 73 BPM | ||
| JE PRERONA TUMI MORE DITECHOGO BARE BARE | Satsangee, Dhidipon Dowarah | E Major | 2 | 12B | 130 BPM | ||
| Ami Tomari Naam Gai | Gorai Music, Kalika Prasad Bhattacharya | E Major | 4 | 12B | 180 BPM | ||
| Charano Dharite Diyo Go Aamare | Durnibar | F Minor | 2 | 4A | 110 BPM | ||
| Aalo - Dialogue - Tui Ki Khepechis Naki | Rabindranath Tagore, Arundhati Holme Chowdhury, Sivaji Chatterjee | F♯ Major | 2 | 2B | 88 BPM | ||
| Himer Raate Oi Gaganer Deepgulire - Instrumental | Rabindranath Tagore | D Major | 1 | 10B | 109 BPM | ||
| O Aamar Desher Maati | Choir Of Sraboni Sen Academy | B♭ Major | 3 | 6B | 109 BPM | ||
| Surer Ei Jharjhar Jharna | Sabita Chowdhury | E Major | 5 | 12B | 110 BPM | ||
| Tomar Surer Dhara | Pramita Mallick, Rabindranath Tagore | A♭ Major | 3 | 4B | 156 BPM | ||
| O Dayal Bichar Karo | Akhil Bandhu Ghosh | E♭ Major | 4 | 5B | 159 BPM | ||
| Dhoronako Shantrimoshai | Anup Ghoshal | A♭ Major | 3 | 4B | 105 BPM | ||
| Bhar | Miftah Zaman | E♭ Major | 5 | 5B | 82 BPM | ||
| Kahan Sang (Female) | Rekha Bhardwaj | B Major | 2 | 1B | 108 BPM | ||
| Kawthar Pahar | Nilanjan Ghosal, Sudhaborshy Chakraborty | F Major | 2 | 7B | 130 BPM | ||
| Mon Re Krishikaj | Anirban Sur | B Minor | 6 | 10A | 95 BPM | ||
| Tumi Sondhyaro Meghomala - From "Achena Uttam" | Durnibar Saha | A Major | 4 | 11B | 131 BPM |