Rabindranath Tagore's 'Himer Raate Oi Gaganer Deepgulire - Instrumental' had a release date set for April 8, 1960. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Visva - Vina by Rabindranath Tagore, Romit Roy. The song's track number on the album is #11 out of 15 tracks. Based on our data, India was the country where this track was produced or recorded. In terms of popularity, Himer Raate Oi Gaganer Deepgulire - Instrumental is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Himer Raate Oi Gaganer Deepgulire - Instrumental by Rabindranath Tagore has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Himer Raate Oi Gaganer Deepgulire - Instrumental being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sundari Go Dohai Dohai | Manna Dey | A Major | 4 | 11B | 90 BPM | ||
| Anandaloke Mongolaloke | Jayati, Lopamudra, Raghab, Manomoy, Gautam, Sraboni, Surojit | E♭ Major | 3 | 5B | 114 BPM | ||
| E Tumi Kemon Tumi Reprise | Saptarshi Mukherjee | G Major | 3 | 9B | 114 BPM | ||
| Ekhono Sarengita Bajchhe | Haimanti Sukla | D♭ Major | 4 | 3B | 81 BPM | ||
| Tumi Esechhile Porshu | S. D. Burman | F♯ Minor | 3 | 11A | 141 BPM | ||
| Ek Je Chhilo Raja | Anup Ghoshal, Rabi Ghosh | A Minor | 1 | 8A | 138 BPM | ||
| Khelaghor Bandhte Legechhi | Madhuraa Bhattacharya | B♭ Major | 2 | 6B | 128 BPM | ||
| Megh Bolechhe | Sunidhi Chauhan, Soumyojit | D♭ Major | 5 | 3B | 85 BPM | ||
| Doob De Re Mon | Nirmalya Roy | D♭ Major | 6 | 3B | 170 BPM | ||
| Aaji Bangladesher Hriday Hote | Rabindranath Tagore | A Major | 6 | 11B | 121 BPM | ||
| Gaan Khunje Pai | Rupankar Bagchi | D Major | 3 | 10B | 120 BPM | ||
| Pa Ma Ga Re Sa | Lata Mangeshkar, Salil Chowdhury | D Minor | 4 | 7A | 139 BPM | ||
| Oi Je Aakasher Gaye | Akhil Bandhu Ghosh | C Major | 2 | 8B | 122 BPM | ||
| Valobeshe Sokhi | Rabindranath Tagore, Arijit | D Major | 4 | 10B | 130 BPM | ||
| Dyakho Dyakho Kanaiye | Jayati Chakraborty | A♭ Major | 6 | 4B | 79 BPM | ||
| Pagla Hawar Badol Dinee | Rezwana Choudhury Bannya | D♭ Major | 5 | 3B | 88 BPM | ||
| Mon Re Krishikaj | Anirban Sur | B Minor | 6 | 10A | 95 BPM | ||
| Eso Eso Eso Hey Baishakh - Instrumental | Rabindranath Tagore | G Major | 1 | 9B | 112 BPM | ||
| Lalita Go Oke Aaj Chole Jete Bal Na | Manna Dey | C Major | 3 | 8B | 116 BPM | ||
| Bhubanomohini Bondi Tomare | Raghab Chatterjee | D Major | 3 | 10B | 92 BPM | ||
| Vandhe Matharam | Bombay Saradha | A Major | 4 | 11B | 95 BPM | ||
| Dekho Ghor Andhakare | Rupankar | A Minor | 5 | 8A | 98 BPM | ||
| Paye Pari Baghmama | Anup Ghoshal | A♭ Major | 3 | 4B | 97 BPM | ||
| He Mahadeb version 1("Rudrabinar Obhishaap Part 2") | Shovon Ganguly | F Major | 5 | 7B | 120 BPM | ||
| Bhalo Kore Bajan Re | Maadal | A Major | 2 | 11B | 143 BPM |