"Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: I. Largo" by Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien had its release date on January 1, 1966. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Telemann: Concertos". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: I. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: I. Largo by Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Concerto in D Minor for Oboe, Strings and Basso continuo: I. Andante e spiccato | Alessandro Marcello, Frans Brüggen, L'arpa Festante | D♭ Minor | 0 | 12A | 115 BPM | ||
| Concerto for Recorder and Flute in E Minor, TWV 52:E1: IV. Presto | Georg Philipp Telemann, Gunther Holler, Konrad Hunteler, Cappella Coloniensis, Georg Fischer | E Major | 1 | 12B | 112 BPM | ||
| Concerto grosso No. 1 in D Major, Op. 6/1: V. Allegro | Arcangelo Corelli, Roy Goodman, Brandenburg Consort | A Major | 1 | 11B | 140 BPM | ||
| Concerto grosso h-Moll, Op. 6 Nr. 12, HWV 330: III. Aria. Larghetto e piano - | George Frideric Handel, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 60 BPM | ||
| Concerto a cinque No. 11, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 65 BPM | ||
| Sonata I in B Minor, HWV 386, Op. 2 No. 1: I. Andante - Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
| Concerto in D for 3 trumpets, 2 oboes, timpani and strings, TWV 54:D2: iii. Largo | Telemann, Esterhazy Orchestra, David Blum | A Major | 2 | 11B | 116 BPM | ||
| Concerto for 2 Oboes in C Major, Op. 7, No. 11: I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | E Major | 2 | 12B | 74 BPM | ||
| Concerto Grosso in B-Flat Major, Op. 1, No. 3: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | E Minor | 1 | 9A | 101 BPM | ||
| Overture (Suite) In A Minor, TWV 55:a2: V. Rejouissance | Jiří Stivín, Capella Istropolitana, Georg Philipp Telemann | E Minor | 1 | 9A | 123 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 60 BPM | ||
| Concerto grosso in B-Flat Major, Op. 3, No. 1, HWV 312: II. Largo | George Frideric Handel, The English Concert, Trevor Pinnock | F Major | 1 | 7B | 102 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi - Andantino | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Major | 0 | 1B | 89 BPM | ||
| Sonata in D Major, Op. 6, No. 7: I. Grave Adagio | Tomaso Albinoni, Ensemble Barocco Sans Souci | D♭ Major | 0 | 3B | 132 BPM | ||
| Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
| Sonata for 4 Violins in C Major, TWV 40:203: I. Grave | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | B Major | 0 | 1B | 70 BPM | ||
| Torelli : Concerto for Strings in G major Op.6 No.1 : III Adagio | Giuseppe Torelli, Ivor Bolton, St. James Baroque Players | F♯ Major | 0 | 2B | 79 BPM | ||
| Concerto in G Major for Oboe, Strings and Basso continuo: I. Allegro spiritoso | Giovanni Benedetto Platti, Frans Brüggen, Bruce Haynes, L'arpa Festante | F♯ Major | 1 | 2B | 65 BPM | ||
| Ich fahre auf zu meinem Vater, TWV 1:825: III. Aria "Ich kann getrost im Tode sein" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Viola Blache | F♯ Major | 2 | 2B | 137 BPM | ||
| Sinfonia in F Major, Badley F1: III. Menuet | Leopold Hofmann, Northern Chamber Orchestra, Nicholas Ward | B♭ Major | 0 | 6B | 165 BPM | ||
| Overture (Suite) In G Minor, TWV 55: G4: II. Rondeau: Gayement | Cologne Chamber Orchestra, Georg Philipp Telemann | B♭ Major | 3 | 6B | 134 BPM | ||
| Trio Sonata in G Major: I. Largo | Johann Gottlieb Graun, Berliner Barock Compagney | C Minor | 1 | 5A | 65 BPM | ||
| Oboe Concerto in E-Flat Major, Wq. 165, H. 468: I. Allegro | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | E♭ Major | 1 | 5B | 88 BPM | ||
| Prélude et fugue | Claude Balbastre, Pauline Koundouno-Chabert | C Minor | 4 | 5A | 143 BPM |