"Alto Giove" by Nicola Porpora, Mathieu Salama had its release date on November 6, 2014. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 15 in Airs de Castrat by Mathieu Salama. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Alto Giove is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Alto Giove by Nicola Porpora, Mathieu Salama is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Messe de requiem: V. Sanctus | André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale | B♭ Minor | 1 | 3A | 174 BPM | ||
| Polifemo, Act I Scene 2: Aria. M'accendi in sen (Polifemo, Galatea) | Nicola Porpora, José Coca Loza, Julia Lezhneva, Stefan Plewniak, Orchestre de l'Opéra Royal | A Major | 5 | 11B | 96 BPM | ||
| Sarro: Messa a 5 voci: "Laudamus te" | Domenico Sarro, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 2 | 1A | 113 BPM | ||
| Stabat Mater in F Minor, P. 77: II. Cujus animam gementem | Giovanni Battista Pergolesi, Sandrine Piau, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 112 BPM | ||
| Rinaldo, HWV 7a / Act 1: "Cara sposa, amante cara" | George Frideric Handel, Franco Fagioli, Il Pomo D'oro, Zefira Valova | E♭ Minor | 2 | 2A | 114 BPM | ||
| Magnificat en sol mineur, RV 610: II. Et exultavit | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Johannette Zomer, Damien Guillon, La Capella Reial De Catalunya, Le Concert Des Nations | B Major | 1 | 1B | 81 BPM | ||
| Hasse: Serpentes ignei in deserto: Aria. "Ara excelsa, ara pretiosa" (Moyses) | Johann Adolf Hasse, Thibault Noally, Les Accents, Philippe Jaroussky | F♯ Minor | 2 | 11A | 135 BPM | ||
| Siface: Usignolo sventurato | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | F♯ Major | 2 | 2B | 107 BPM | ||
| Heinichen: Alma Redemptoris Mater, S. 22: II. "Tu quae genuisti" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Minor | 1 | 12A | 67 BPM | ||
| Stabat Mater RV 621: VIII. Facut | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux | F Minor | 1 | 4A | 99 BPM | ||
| Purcell : King Arthur : Act 4 "How happy the lover" [Tenor, Chorus] Ritornello "For love every creature" [Soprano, Bass, Chorus] "In vain are our graces" [Chorus] | William Christie | F Minor | 0 | 4A | 104 BPM | ||
| Dixit Dominus (Salmo 109), RV 594: III. Virgam virtutis tuae | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini, Gemma Bertagnolli, Roberta Invernizzi | D Major | 2 | 10B | 112 BPM | ||
| San Giovanni Battista: Queste lagrime e sospiri | Alessandro Stradella, Patricia Petibon, Venice Baroque Orchestra, Andrea Marcon | E Minor | 0 | 9A | 99 BPM | ||
| Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | E♭ Major | 1 | 5B | 168 BPM | ||
| Juditha Triumphans, RV 644, pars prior: Aria (Vagaus) "Matrona inimica" | Antonio Vivaldi, Rachel Redmond, Jordi Savall, Le Concert Des Nations | A Major | 3 | 11B | 174 BPM | ||
| Il Gedeone (Gideon): Pt. II: Lodi al Dio delle vittorie [Chorus] | Nicola Porpora, Kai Wessel, Ulf Bästlein, Linda Perillo, Henning Voss, Jorg Waschinski, Johannes Chum, Vienna Nova Vocal Ensemble, Orchester Wiener Akademie, Martin Haselböck | B Minor | 1 | 10A | 94 BPM | ||
| Vespro della Beata Vergine, SV 206: III. Concerto "Nigra sum" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Collegium Vocale Gent | A Minor | 0 | 8A | 172 BPM | ||
| Salve Regina in C Minor - Transp. in A-Flat Minor | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Minor | 0 | 12A | 82 BPM | ||
| Atys, LWV 53, Act I Scenes 1 & 2: Allons, allons, accourez tous | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea, Matthew Newlin, Adrien Fournaison | F Minor | 3 | 4A | 126 BPM | ||
| Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | A Major | 2 | 11B | 82 BPM | ||
| Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM | ||
| Rodelinda, HWV 19: Act I - "Ombre, piante" | Simone Kermes | E Minor | 1 | 9A | 84 BPM | ||
| Miserere, ZWV 57: III. Gloria Patri I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Gunhild Alsvik, Javier Ulises Illán | A Major | 1 | 11B | 69 BPM | ||
| Purcell: The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion | Henry Purcell, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Huw Montague Rendall, Jess Dandy, Laurence Kilsby | F♯ Major | 1 | 2B | 77 BPM | ||
| Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM |