- BPM
- 104
- Key
- F Minor
- Camelot
- 4A
Purcell : King Arthur : Act 4 "How happy the lover" [Tenor, Chorus] Ritornello "For love every creature" [Soprano, Bass, Chorus] "In vain are our graces" [Chorus] by William Christie Song Details
"Purcell : King Arthur : Act 4 "How happy the lover" [Tenor, Chorus] Ritornello "For love every creature" [Soprano, Bass, Chorus] "In vain are our graces" [Chorus]" by William Christie had its release date on 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #28. Furthermore, we believe that the track originated from France. In terms of popularity, Purcell : King Arthur : Act 4 "How happy the lover" [Tenor, Chorus] Ritornello "For love every creature" [Soprano, Bass, Chorus] "In vain are our graces" [Chorus] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Purcell : King Arthur : Act 4 "How happy the lover" [Tenor, Chorus] Ritornello "For love every creature" [Soprano, Bass, Chorus] "In vain are our graces" [Chorus] by William Christie having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Music Key
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 11%
- Loudness
- -26.453 dB
- Acousticness
- 96%
- Danceability
- 28%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 18%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 17%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | F♯ Major | 0 | 2B | 65 BPM | |
 | Rossi: L'Orfeo, Act 3: "Dormite, begl'occhi, dormite" (Coro) | Luigi Rossi, Diego Fasolis, Lorenza Donadini, Caterina Iora, Alice Rossi, Isabella Hess, I Barocchisti | E♭ Major | 0 | 5B | 67 BPM | |
 | Purcell : King Arthur : Act 3 "Sound a parley" [Soprano, Bass] "Tis Love that has warm'd us" [Chorus] | William Christie | B♭ Major | 1 | 6B | 46 BPM | |
 | Miserere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Minor | 1 | 10A | 166 BPM | |
 | Purcell: Dido and Aeneas, Z. 626, Act 2: Song. "Oft She Visits This Lone Mountain" (Second Woman) | Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée, Cécile de Boever | D♭ Minor | 2 | 12A | 137 BPM | |
 | Lovely Selina | John Blow, Catherine Bott, Paula Chateauneuf, Mark Levy | F♯ Major | 0 | 2B | 128 BPM | |
 | Pergolesi: Stabat Mater: X. Fac ut portem Christi mortem | Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Diego Fasolis | A Major | 0 | 11B | 128 BPM | |
 | Alcidiane: Recits Italiens chantes par Mademoiselle de la Barre et la Signora Anna Bergerotti | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 165 BPM | |
 | Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Tilge, Höchster, meine Sünden | Johann Sebastian Bach, Céline Scheen, Damien Guillon, Le Banquet Céleste | E Minor | 1 | 9A | 106 BPM | |
 | L'Orfeo, Atto secondo: III. Ahi, caso acerbo! | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Sara Mingardo, Francesc Garrigosa, Carlos Mena, Le Concert Des Nations | G Major | 0 | 9B | 73 BPM | |
 | Magnificat en sol mineur, RV 610: II. Et exultavit | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Johannette Zomer, Damien Guillon, La Capella Reial De Catalunya, Le Concert Des Nations | B Major | 1 | 1B | 81 BPM | |
 | Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: VI. Jerusalem | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | |
| Pergolesi: Confitebor: II. Confessor et magnificentia | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 1 | 2B | 79 BPM | |
| Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | |
 | Polifemo, Act III Scene V: Alto giove | Nicola Porpora, Academia Montis Regalis, Alessandro De Marchi | E♭ Minor | 2 | 2A | 76 BPM | |
 | Dido and Aeneas / Act 2: "Stay, Prince...Jove's commands shall be obey'd" | Henry Purcell, Derek Lee Ragin, Thomas Allen, English Chamber Orchestra, Raymond Leppard | A Minor | 0 | 8A | 79 BPM | |
 | Cavalli: La Calisto, Act 2: "Erme e solinghe cime ... Lucidissima face" (Endimione) | Francesco Cavalli, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Minor | 1 | 12A | 100 BPM | |
 | Messiah, HWV 56: Part 1: O thou that tellest good tidings to Zion (Air) | Nikolaus Harnoncourt | D♭ Major | 1 | 3B | 76 BPM | |
 | Charpentier: Concert pour 4 parties de violes, H. 545: I. Prélude | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | B Major | 2 | 1B | 171 BPM | |
 | Guitar Quintet in D major, G. 448: IV. Fandango | Luigi Boccherini, Christophe Rousset, William Christie | F Minor | 1 | 4A | 172 BPM | |
| Alcidiane: Ritournelle et Recit Italien | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 90 BPM | |
 | Handel: Giulio Cesare in Egitto, HWV 17, Act 1: Duetto. "Son nata a lagrimar" (Cornelia, Sesto) | John Nelson, Emmanuelle Haïm, Stephanie Blythe, David Daniels, Orchestre de chambre de Paris, Martin Isepp | E Minor | 1 | 9A | 82 BPM | |
 | San Giovanni Battista: Io per me non cangerei | Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán | G Minor | 1 | 6A | 92 BPM | |
 | Vivaldi: Clarae stellae, scintillate, RV 625: "Clarae stellae, scintillate" | Antonio Vivaldi, Philippe Jaroussky, Ensemble Artaserse | B♭ Major | 0 | 6B | 76 BPM | |
| Porpora: Ifigenia in Aulide: Nel già bramoso petto | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | B Minor | 1 | 10A | 112 BPM |
- ISRC
- FRZ209500130
- Label
- L-M Records/RCA Records