ピョートル・イリイチ・チャイコフスキー, 渡邉暁雄, 日本フィルハーモニー交響楽団, 財団法人 日本フィルハーモニー交響楽団's 'バレエ音楽「白鳥の湖」作品20より 四羽の白鳥たちの踊り (第2幕)' had a release date set for September 18, 1999. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 日本ステレオ初期名盤選 - 1 ロシア管弦楽曲集, so we believe that "バレエ音楽「白鳥の湖」作品20より 四羽の白鳥たちの踊り (第2幕)" is a single. In terms of popularity, バレエ音楽「白鳥の湖」作品20より 四羽の白鳥たちの踊り (第2幕) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of バレエ音楽「白鳥の湖」作品20より 四羽の白鳥たちの踊り (第2幕) by ピョートル・イリイチ・チャイコフスキー, 渡邉暁雄, 日本フィルハーモニー交響楽団, 財団法人 日本フィルハーモニー交響楽団 is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| アルルの女 第 2組,曲, 3: Menuet | Georges Bizet, Gerd Albrecht, Yomiuri Nippon Symphony Orchestra | E♭ Major | 0 | 5B | 88 BPM | ||
| 《くるみ割り人形》組曲 5.トレパック | ピョートル・イリイチ・チャイコフスキー, 広瀬悦子 | G Major | 3 | 9B | 158 BPM | ||
| 愛の悲しみ | Fritz Kreisler, 古川展生, 安宅薫 | A Major | 0 | 11B | 76 BPM | ||
| Roland Furieux: II. Andante tranquillo | Augusta Holmès, Michael Francis, Deutsche Staatsphilharmonie Rheinland-Pfalz | E♭ Major | 1 | 5B | 88 BPM | ||
| Trois études poétiques, Op. 32: I. Étude poétique | Signe Lund, Rune Alver | C Major | 0 | 8B | 64 BPM | ||
| 妖精の踊り | Christoph Willibald Gluck, Hitomi Niikura | B Minor | 1 | 10A | 83 BPM | ||
| 6 Morceaux, Op. 85 | Balazs Szokolay, Joachim Raff | D Major | 0 | 10B | 94 BPM | ||
| Gabriel Fauré Après Un Rêve | Josef Karlicek, Petr Karlicek | A Major | 1 | 11B | 63 BPM | ||
| グリーグ:ピアノ協奏曲 イ短調 作品16: 第2楽章: Adagio | Edvard Grieg, Nobuyuki Tsujii, ロイヤル・リヴァプール・フィルハーモニー管弦楽団, ワシーリ・ペトレンコ | D♭ Major | 0 | 3B | 82 BPM | ||
| 2 Waltzes, Op. 221: No. 2, Venus Valse, Boston-Valse | Marco Enrico Bossi, Gottlieb Wallisch | B♭ Major | 2 | 6B | 138 BPM | ||
| チャイコフスキー 交響曲 第6番 ロ短調 作品74「悲愴」: IV. Finale: Adagio lamentoso | ピョートル・イリイチ・チャイコフスキー, エリアフ・インバル, フランクフルト放送交響楽団 | B Minor | 0 | 10A | 90 BPM | ||
| Love Like the Dawn Came Stealing - Duo-Art 6079 | Charles Cadman, Peter Phillips | A Major | 1 | 11B | 63 BPM | ||
| Sonatine, M. 40: I. Modéré | Maurice Ravel, Hsiang Tu | A Major | 1 | 11B | 63 BPM | ||
| モーゼ幻想曲 (ロッシーニの主題による狂詩曲) | Niccolò Paganini, Ida Haendel, アルフレード・ホレチェク | C Major | 2 | 8B | 91 BPM | ||
| Producto de sus elecciones | Padre GainsCone | C Minor | 2 | 5A | 100 BPM | ||
| エチュード 第1番 変イ長調 「エオリアン・ハープ」作品25-1 | Fujiko Hemming | A♭ Major | 1 | 4B | 84 BPM | ||
| Keyboard Sonata in D Minor, Wq. 51/4, H. 128, "Fortsetzung Sonata No. 4": II. Largo e sostenuto | Carl Philipp Emanuel Bach, Christopher Hinterhuber | F Major | 0 | 7B | 84 BPM | ||
| 見知らぬ国と人々(「子供の情景 作品15」から) | Robert Schumann, 石井琢磨 | B♭ Major | 0 | 6B | 144 BPM | ||
| 子守歌(チャイコフスキー) | ピョートル・イリイチ・チャイコフスキー, 田部京子 | A♭ Major | 0 | 4B | 67 BPM | ||
| 美麗四季夏 | 蘇顯達, 真如 | G Major | 2 | 9B | 91 BPM | ||
| 白鳥 〜動物の謝肉祭より [サン=サーンス] | Camille Saint-Saëns, スティーヴン・ケイツ, 岩崎淑 | B♭ Major | 1 | 6B | 136 BPM | ||
| Miniatures, Op. 75a, B. 149: No. 3 in B-Flat Major, Romanza. Allegro | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | G Major | 2 | 9B | 121 BPM | ||
| Müllerlieder, S. 565/R. 249: No. 5, Wohin? (After F. Schubert) | Franz Liszt, Yoonie Han | B Major | 0 | 1B | 69 BPM | ||
| La Cinquième Saison, Op. 15: I. Le Secret des feuilles: L'arbre aux légendes 2 | Corentin Apparailly, Julien Martineau, Orchestre Victor Hugo, Jean-François Verdier | A Major | 1 | 11B | 63 BPM | ||
| L'art du chant appliqué au piano, Op. 70: No. 22, Dafydd y garreg wen | Sigismond Thalberg, Paul Wee | A♭ Major | 1 | 4B | 77 BPM |