On January 1, 2001, the song "Mia Flees - Score" was released by John Debney. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "The Princess Diaries". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Mia Flees - Score's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Mia Flees - Score by John Debney having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shadow's a Hero | Bruce Broughton | G Major | 1 | 9B | 75 BPM | ||
| Watch the Birdie / Visitors | Oliver Wallace | D Major | 1 | 10B | 67 BPM | ||
| Rescue and Reunion | Mark Isham, Cindy O'Connor | G Minor | 3 | 6A | 121 BPM | ||
| The Calm Before the Storm | David Arnold | G Minor | 0 | 6A | 91 BPM | ||
| Eshkeri: Three Witches | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Minor | 1 | 5A | 94 BPM | ||
| Entanglements / Dress Building | Oliver Wallace | C Major | 2 | 8B | 122 BPM | ||
| Is It Christopher Robin? | Geoff Zanelli, Jon Brion | F Major | 1 | 7B | 124 BPM | ||
| Dawsey's First Letter | Alexandra Harwood | D Major | 2 | 10B | 82 BPM | ||
| Pride and Prejudice Opening Titles (From the 1995 BBC Adaptation) - Piano Arrangement | The Belle Society Players | B♭ Major | 1 | 6B | 114 BPM | ||
| Rich Beyond Reason | Patrick Doyle | B♭ Major | 0 | 6B | 71 BPM | ||
| Shooting Star | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Minor | 3 | 7A | 84 BPM | ||
| Divorce | Howard Shore | F Major | 0 | 7B | 78 BPM | ||
| Lady Gresham (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | A Major | 1 | 11B | 95 BPM | ||
| The Tear/Goodbyes | David Hirschfelder | G Major | 2 | 9B | 68 BPM | ||
| Tea Time With Mrs. Sellner | Howard Shore | E♭ Minor | 1 | 2A | 130 BPM | ||
| Meet Me At Cafe Lalo | George Fenton | G Major | 1 | 9B | 108 BPM | ||
| Mariposa Main Title | Eric Colvin | A Major | 1 | 11B | 88 BPM | ||
| Farewell Aragog | Nicholas Hooper | G Major | 0 | 9B | 82 BPM | ||
| You're Goin' Places, Kid | Michael Giacchino | A Major | 0 | 11B | 110 BPM | ||
| Sunday / the Rat / Morning Paper | Oliver Wallace | D Major | 1 | 10B | 67 BPM | ||
| A Journey to Hogwarts | Nicholas Hooper | A Minor | 1 | 8A | 78 BPM | ||
| Baby Alessandra | Christophe Beck | F Major | 1 | 7B | 102 BPM | ||
| Beatrix & Norman | Nigel Westlake | F Major | 1 | 7B | 142 BPM | ||
| Goodbye To Their Children | Alexandra Harwood | D Major | 2 | 10B | 116 BPM | ||
| Can I Call You Joe? - Score | John Debney | G Major | 2 | 9B | 132 BPM |