Léo Delibes, Rafael Méndez, Geoffrey Payne, Jean-Louis Forestier, Melbourne Symphony Orchestra's 'Lakmé: Bell Song' had a release date set for February 6, 2006. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Trumpet Magic - A Tribute to Rafael Méndez". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Australia. Lakmé: Bell Song is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lakmé: Bell Song by Léo Delibes, Rafael Méndez, Geoffrey Payne, Jean-Louis Forestier, Melbourne Symphony Orchestra having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lakmé / Act 1: D'ou viens-tu?...C'est le dieu de la jeunesse | Léo Delibes, Dame Joan Sutherland, Alain Vanzo, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | D♭ Major | 2 | 3B | 79 BPM | ||
| Thaïs: Méditation (Arr. for Cello & Piano) | Yo-Yo Ma, Kathryn Stott | E Minor | 1 | 9A | 86 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 76 BPM | ||
| Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | C Major | 2 | 8B | 74 BPM | ||
| Swan Lake, Op. 20: No. 2 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | A Major | 1 | 11B | 96 BPM | ||
| Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
| Orchestersuite in D Major, BWV 1068: II. Air | Slovak Philharmonic, Bohdan Warchal | D Major | 2 | 10B | 114 BPM | ||
| La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| Coppelia: Act III - Le priere | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 92 BPM | ||
| Offenbach: Les Contes d'Hoffmann, Act IV: No. 13, Barcarolle, "Belle nuit, ô nuit d'amour" (Orchestral Version) | Jacques Offenbach, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Major | 1 | 10B | 88 BPM | ||
| Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
| Le Quattro Stagioni: Violin Concerto No. 2 in G Minor, RV 315, "L'Estate": III. Presto | Antonio Vivaldi, Vladimir Spivakov, Moscow Virtuosi | C Minor | 4 | 5A | 158 BPM | ||
| Jeux Interdits: Spanish Romance (Arr. for Guitar and Orchestra) | Anonymous, Miloš Karadaglić, English Chamber Orchestra, Paul Watkins | E Minor | 1 | 9A | 99 BPM | ||
| Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
| Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
| Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | ||
| Carmen Votre toast, je peux vous le rendre - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | F Major | 3 | 7B | 113 BPM | ||
| No. 2 in E Minor, Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | G Major | 0 | 9B | 70 BPM | ||
| Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber Orchestra | F Major | 0 | 7B | 183 BPM | ||
| Lakmé, Act I: Sous le dome epais, "Flower Duet" (arr. S. Davis for sopranino saxophone, double bass and piano) | Léo Delibes, Farrell Vernon, Tomas Walsh, Brad Kuhns, Hamilton Tescarollo | E♭ Major | 1 | 5B | 87 BPM |