"Lesser Litany, Lord's Prayer & Responses" by Francis Grier, Durham Cathedral Choir, James Lancelot had its release date on February 25, 1990. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The song is number 12 out of 16 in Choral Evensong for St. Cuthbert's Day from Durham Cathedral by Durham Cathedral Choir, Ian Shaw, James Lancelot. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Lesser Litany, Lord's Prayer & Responses's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lesser Litany, Lord's Prayer & Responses by Francis Grier, Durham Cathedral Choir, James Lancelot is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Te Deum: No. 13, Patrem immensæ majestatis | Francis Grier, Tom Winpenny, St. Albans Cathedral Choir | C Major | 1 | 8B | 76 BPM | ||
| Miserere mei Deus, C. 116: IV. Asperges me hyssopo | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | F Major | 2 | 7B | 73 BPM | ||
| Mass in D Major, Op. 86 / Credo: IIIb. Et incarnatus est | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
| Britten: War Requiem, Op. 66: II. Dies irae, (i) Lacrimosa (Soprano, Chorus) | Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | D Major | 3 | 10B | 81 BPM | ||
| In illo tempore cum sublevasset | Francisco Guerrero, A5 Vocal Ensemble | A Minor | 1 | 8A | 80 BPM | ||
| Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
| Keyboard Sonata in C Minor, Kk. 254 (Perf. Organ) | Domenico Scarlatti, Francis Grier | C Minor | 2 | 5A | 75 BPM | ||
| In manus tuas: In manus tuas | Thomas Tallis, Stile Antico | G Minor | 0 | 6A | 136 BPM | ||
| Panis Angelicus | Francis Grier, Ensemble Altera, Christopher Lowrey, Eleonore Cockerham, Michael Garrepy | B♭ Minor | 1 | 3A | 78 BPM | ||
| Quomodo cantabimus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 77 BPM | ||
| Amabile Alleluia | Sarah Quartel, Reading Phoenix Choir, Christopher Hann | E♭ Major | 2 | 5B | 99 BPM | ||
| Britten: War Requiem, Op. 66: II. Dies irae, (j) Move him into the sun … Pie Jesu (Tenor, Soprano, Chorus) | Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | F♯ Major | 0 | 2B | 86 BPM | ||
| Nunc Dimittis in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 0 | 6B | 135 BPM | ||
| Beatitudes | Jocelyn Hagen, Timothy C. Takach, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith | D Major | 0 | 10B | 85 BPM | ||
| Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": III. Offertorium. Domine Jesu Christe | Michael Haydn, Julia Doyle, Kate Symonds-Joy, James robinson, Malachy Frame, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin | C Major | 2 | 8B | 98 BPM | ||
| Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
| Requiem, Op. 9: Lux aeterna | Maurice Duruflé, Ivan Repušić, Bavarian Radio Chorus, Munich Radio Orchestra | B♭ Major | 0 | 6B | 67 BPM | ||
| Inviolata, integra et casta | Josquin des Prez, Odhecaton, The Gesualdo Six, La Pifarescha, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| Clemens non Papa: Frais et gaillart | Jacob Clemens non Papa, Michel Corboz, Ensemble Vocal de Lausanne | D♭ Major | 2 | 3B | 128 BPM | ||
| Stainer: God so loved the world | The Chapel Choir of University College, Hurham, Oliver Bond | D Major | 1 | 10B | 75 BPM | ||
| Evening Service in G Minor, Z. 231: I. Magnificat | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
| Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM | ||
| Missa Sanctae Crucis, MH 56: Gloria | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 0 | 10B | 84 BPM | ||
| Look Down, O Lord | Jonathan Seers, The Gesualdo Six, Owain Park | A♭ Minor | 1 | 1A | 86 BPM | ||
| Neun Lieder Nr. 9 - Einsamkeit | Hans Koessler, Cantabile Regensburg, Matthias Beckert | D Major | 1 | 10B | 82 BPM |