Mariinsky Orchestra's ' "CHILDREN'S GALLOP AND ENTRANCE OF THE PARENTS" was released on its scheduled release date, December 7, 2012. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 16 in A Selection from Tchaikovsky's Nutcracker by Mariinsky Orchestra. Based on our statistics, CHILDREN'S GALLOP AND ENTRANCE OF THE PARENTS's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of CHILDREN'S GALLOP AND ENTRANCE OF THE PARENTS by Mariinsky Orchestra is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les saisons (The Seasons), Op. 37b: XI. November: Troika | Ilya Rachkovsky | E Major | 0 | 12B | 74 BPM | ||
| Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
| La Bayadere, Act I, Scene 1: 1. “Introduction" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 129 BPM | ||
| Raymonda, Act I: Valse fantastique | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 1 | 7B | 180 BPM | ||
| Diana and Actaeon: Pas de deux (Arr. March) | Riccardo Drigo, English Chamber Orchestra, Richard Bonynge | A Major | 2 | 11B | 98 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 1 | 11B | 87 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D Major. Vivace (Orch. Schmeling) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
| Carnival of the Animals, R. 125: Aviary | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | F Major | 1 | 7B | 162 BPM | ||
| Estudiantina, Op. 191 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | D Major | 2 | 10B | 99 BPM | ||
| 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
| Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
| Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
| Carmen Suite No. 2: IV. Chanson du toréador (Act II) | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 2 | 7B | 116 BPM | ||
| Mendelssohn: Violin Concerto in E Minor Op. 64: I. Allegro molto appassionato | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E Minor | 2 | 9A | 101 BPM | ||
| L'Arlésienne Suite No. 2, WD 28: 4. Farandole | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Major | 5 | 10B | 86 BPM | ||
| Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| Hungarian Rhapsody, S. 244: No. 2 in C Minor | Franz Liszt, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 86 BPM | ||
| Don Quixote, Act IV: Entree | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | D Major | 0 | 10B | 78 BPM | ||
| Louisen-Polka (Louisina Polka): Louisa's Polka [orch. I. Krejci] | Bedřich Smetana, Slovak Radio Symphony Orchestra, Robert Stankovsky | E♭ Major | 0 | 5B | 85 BPM | ||
| Swan Lake, Op. 20 (Mariinsky Version), Act I: No. 9, Finale. Andante | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | D Major | 3 | 10B | 86 BPM | ||
| Don Quixote: Act I: A square in Barcelona | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 2 | 9B | 132 BPM | ||
| Ruslan and Lyudmila / Act 1: Overture | Mikhail Glinka, Mariinsky Orchestra, Valery Gergiev | D Major | 1 | 10B | 89 BPM | ||
| Soirées musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
| Le pavillon d'Armide, Op. 29 (Excerpts): No. 6a, Variation - No. 6b, Variation pour Vicomte - No. 6c, Variation pour Armide - No. 6d, Code finale - No. 7, Scène mimique | Nikolai Tcherepnin, Moscow Philharmonic Orchestra, Henry Shek | E Major | 0 | 12B | 78 BPM |