Ben MacDougall's 'The High Places' had a release date set for November 13, 2020. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ben MacDougall's "Godfall (Music from the Video Game)" album is number 33 out of 40. In terms of popularity, The High Places is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The High Places by Ben MacDougall to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Subvoid Bloom | Lumen Sonico | E♭ Major | 3 | 5B | 95 BPM | ||
| Evladın mı Devletin mi | Can Atilla | F Minor | 2 | 4A | 95 BPM | ||
| Quinto Potere | EDO ZENITH | A Major | 2 | 11B | 70 BPM | ||
| Everlasting | Garrett Weyenberg, Hypersonic Music | D Minor | 4 | 7A | 97 BPM | ||
| Høy Puls | Raymond Enoksen, Christian Norum | E♭ Major | 2 | 5B | 175 BPM | ||
| Infinity Knot | Inside Tracks, Ben MacDougall | G Major | 4 | 9B | 128 BPM | ||
| Amber Dawn | Mark Petrie, Vinay Kaushal | A♭ Major | 6 | 4B | 110 BPM | ||
| Desigualdades | Vino Veritas | B♭ Minor | 2 | 3A | 177 BPM | ||
| Driftlayer | Velora | E Minor | 0 | 9A | 116 BPM | ||
| Strisciando | EDO ZENITH | G Major | 4 | 9B | 123 BPM | ||
| Crimson | Philipp Klein | F♯ Minor | 3 | 11A | 70 BPM | ||
| Saving Face | Dominic Lewis | G Major | 1 | 9B | 112 BPM | ||
| Core Under Attack | Adam Skorupa, Krzysztof Wierzynkiewicz, Michal Cielecki | D Major | 8 | 10B | 120 BPM | ||
| The Manacles Of Syrah | Dynamedion | F Major | 3 | 7B | 75 BPM | ||
| The Friends We Left Behind | David Reichelt | G Major | 4 | 9B | 128 BPM | ||
| Heart Racing | David Chappell | G Major | 4 | 9B | 128 BPM | ||
| Lab | Martin Madrazo, Martin Lamo | F Minor | 3 | 4A | 135 BPM | ||
| Lost Colony Main Theme | Gareth Coker | G Major | 4 | 9B | 128 BPM | ||
| Dying Star | Michael Sciabbarrasi | B Minor | 5 | 10A | 110 BPM | ||
| Emergence of the Bloodborn | Ben MacDougall | D Major | 5 | 10B | 96 BPM | ||
| Mirror | Farid Ibazade, Pharoah | C Major | 2 | 8B | 90 BPM | ||
| Shadow's Final Edge | Nicolas Errera | D♭ Major | 3 | 3B | 140 BPM | ||
| Corte Final | Vexel Mode | D Minor | 9 | 7A | 75 BPM | ||
| Struggle | Conor Randon, Moblodok | B Major | 1 | 1B | 63 BPM | ||
| Off Course | Wuthering Waves, Gokou | G Major | 4 | 9B | 128 BPM |