"Red Lights" by Continuum had its release date on September 19, 2006. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Red Lights's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 11 in Created To Move by Continuum. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Red Lights is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Red Lights by Continuum is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fade | Yani nazz | C Major | 2 | 8B | 135 BPM | ||
| Passeio Especial | Mateus Alves, Tomaz Alves Souza, Piero Bianchi, Xavi Torres | D Major | 3 | 10B | 74 BPM | ||
| The Banshee | Henry Cowell, Cheryl Seltzer, Continuum | C Major | 0 | 8B | 174 BPM | ||
| Toada e desafio | Quinteto Da Paraíba | D Minor | 2 | 7A | 141 BPM | ||
| Descarga | Roberto Sierra, Cheryl Seltzer, Mark Steinberg, Maria Kitsopoulos, Continuum, Joel Sachs | D Major | 3 | 10B | 132 BPM | ||
| Movimento de Verão | Alexandre Guerra, Orquestra Paulistana de Câmara Holtz | D♭ Major | 1 | 3B | 110 BPM | ||
| Industrial Environment | Tony Kinsey | C Minor | 1 | 5A | 98 BPM | ||
| Montage (Maria's Theme) | Angelo Badalamenti | D Major | 0 | 10B | 121 BPM | ||
| Stool Pigeon | Paul Pritchard | D♭ Major | 3 | 3B | 151 BPM | ||
| The Scene Is Clean | Continuum, Jimmy Heath, Kenny Barron, Slide Hampton, Ron Carter, Art Taylor | B Minor | 3 | 10A | 177 BPM | ||
| Somewhere In Time | John Barry | C Major | 1 | 8B | 85 BPM | ||
| Saxophone Concerto, Op. 59 "Cyber-bird": II. Bird in Grief | Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic, Nobuya Sugawa | C Minor | 0 | 5A | 172 BPM | ||
| Elegie | Andy Scott | C Major | 0 | 8B | 79 BPM | ||
| The Glass Menagerie | Stefan Gregory | F Major | 2 | 7B | 80 BPM | ||
| Blanche And Mitch | Alex North | F Minor | 1 | 4A | 85 BPM | ||
| New Currency | Jonny Greenwood | A Minor | 3 | 8A | 88 BPM | ||
| I Remember When | Stan Getz, Eddie Sauter | G Major | 2 | 9B | 53 BPM | ||
| The Job | Daniel Diaz | F Major | 3 | 7B | 148 BPM | ||
| Woman In Blue (feat. Wynton Marsalis, Willie Jones III, Philip Norris, Isaiah J. Thompson, Ted Nash) - End Credits | Daniel Pemberton, Isaiah J. Thompson, Philip Norris, Ted Nash, Willie Jones III, Wynton Marsalis | C Major | 2 | 8B | 125 BPM | ||
| Xtend - Domestic Science Remix | Continuum, Domestic Science | B♭ Major | 2 | 6B | 119 BPM | ||
| Love Theme From Chinatown (Main Title) - From The "Chinatown" Soundtrack | Jerry Goldsmith | G Minor | 3 | 6A | 40 BPM | ||
| 3 Quarter-Tone Pieces: Chorale | Charles Ives, Joel Sachs, Cheryl Seltzer, Continuum | C Major | 0 | 8B | 66 BPM | ||
| Marlowe's Theme (From "Farewell, My Lovely") | David Shire | F Minor | 2 | 4A | 82 BPM | ||
| Softly, the Night Sings | Saint Matthew Church of Administration | C Major | 1 | 8B | 64 BPM | ||
| Violin and Harpsichord, Book II: Traumwerk 1 | James Dillon, Continuum | D Major | 1 | 10B | 170 BPM |